Canon Canodate E (1970)

Canon Canodate E (1970)

#372

This photo is from the copy I own

History and technical features 

A 1970 compact rangefinder camera from Canon, similar to the Canonet series but with an early date-imprinting function.

It uses a 40mm f/2.8 (5 elements in 4 groups) lens. The shutter is the electronically controlled Seiko ESF. The exposure meter uses a CdS cell for electronic exposure. Metering range of 1 to 17 EV (at ISO 100). Film speed can range from ISO 25 to 400. The finder has 0.6x magnification with 84% coverage which also contains parallax correction marks. It is powered by 2x 1.3V mercury cells batteries.

A newer minor revision of the Canodate E was released three years later in 1973. Canon refers to this as the Canodate E-N, but was just sold as the same Canodate E. This is mostly just a cosmetic change with the name plate's E in red. The date dials text with the Year in Blue, Month in Orange and Day in Red. The focusing ring is black coloured. The shutter also no longer functions when the battery is flat.

Source: camera-wiki.org

A databack to imprint the date on the picture is a standard feature today. The Canodate E pioneered this feature and realized the dreams of users.

With ISO 100 film, the camera’s Seiko ESF electronically-controlled program shutter could handle a wide exposure range from EV 1 (4 sec. at f/2.8) to EV 17 (1/500 sec. at f/16). With the dedicated Canolite D, the flash could fire automatically at EV 8 or lower.

For focusing, the camera had a double-image superimposing rangefinder. The viewfinder frame lines indicated the position of the imprinted date. The viewfinder also had a combination battery check and camera shake warning indicator, and flash indicator.

Source: global.canon


Specifications

Type: 35mm Lens-Shutter rangefinder camera with program EE and date imprinting (year, month, day).
Picture Size: 24 x 36 mm
Lens: 40mm f/2.8 (5 elements in 4 groups)
Shutter: Seiko ESF (electronically controlled), EV 1 (f/2.8 at 4 sec.) – 17 (f/16 at 1/500 sec.), X-sync, hot shoe and German socket for automatic flash. No self-timer.
Viewfinder: Coincidence rangefinder integrated with reversed Galilean viewfinder. Parallax correction with projected frames and correction marks. Date imprinting indicated on projected frame. Same lamp used for battery check, camera shake warning, and flash-required indicator. 0.6x magnification, 84% coverage.
EE: CdS cell for full-auto program EE. Metering range of EV 1 – 17 (at ISO 100). Film speed range of ISO 25 – 400.
Power Source: Two 1.3 V HM-N mercury cells
Film Loading & Advance: Slotted take-up spool. Advances with camera-top lever’s 130° single stroke (possible to wind with several short strokes).
Frame Counter: Counts up. Resets automatically when camera back is opened.
Film Rewind: Camera-top crank
Dimensions & Weight: 133 x 76 x 59 mm, 580 g

Source: global.canon


Model

Serial number 181180


Reference sites

camera-wiki.org

global.canon


Manual

English manual


Batteries

Two M30 our #640 1.3v batteries

Film


Pictures taken with this machine


Videos

Bell and Howell Dial 35 (1963)

Bell and Howell Dial 35 (1963)

#302

Esta fotografia é do exemplar que possuo

Características

The Canon Dial 35 was an unconventional half-frame 35mm camera with clockwork automatic film advance. It was made in Japan by Canon from November 1963. The Dial 35 was also sold as the Bell & Howell Dial 35.

The body had an unusual "portrait" format rectangular shape, with a short, wide-diameter lens barrel containing the CdS meter photocells window around the 28mm lens. Rotating the lens barrel set the speed of the Seikosha shutter; the aperture was set automatically. A button below the viewfinder could be pulled out to give manual aperture control, for manual exposure settings or flash. Film speed was set on a scale around the meter window.

Focus was set on a lever around the top of the lens barrel, with a display inside the viewfinder.

There was a cylindrical handle at the bottom, which also wound the clockwork mechanism. On the (users) left is an accessory shoe. The film ran vertically, from the cassette at the top to the take-up spool at the bottom, giving a landscape-format 24×18mm frame when the camera is upright.

Fonte: camerapedia


Especificações

Manufacturer: Canon
Introduced: Nov 1963
Film: 35mm 24×18mm Half-frame
Shutter: Seikosha 1/30–1/250s, with Flash sync
Film speed: 8–500 ASA
Lens: Canon SE 28mm f/2.8 (5 elements in 3 groups), focus down to 0.8m

Fonte: camerapedia


Modelo

A minha tem o n.º de série 530292


Sítios de referência

camerapedia


Manual

Manual em Inglês


Baterias

1,3 V battery

Filme


Fotografias tiradas com esta máquina


Vídeos

Minolta Hi-Matic G (1974)

Minolta Hi-Matic G (1974)

#213

Esta fotografia é do exemplar que possuo

Características

The Minolta Hi-Matic G was a quite compact viewfinder camera. Like the other Hi-Matics it had automatic exposure. And like other 1970s Hi-Matics it had the CdS window inside the filter ring and a hot shoe for the flash. With this camera Minolta overcame the "Electro Control" system which needed two batteries. Its CdS controlled exposure program set speed/aperture combinations from 1/30 sec./f2.8 to 1/650 sec / f14 . The focusing ring had four distance symbols. F-Stop and shutter speed were shown in the viewfinder.

Fonte: camerapedia

Minolta’s Hi-matic series of compact cameras span more than 20 years of production and were usually rangefinders such as the  well-regarded Hi-matic 7sII. However the series also gave rise to  a few Point & Shoot (P&S) most notably the Hi-matic G launched in 1974.
Unlike some rival P&S like the Chinon 35 or Konica C35V that have clearly evolved from rangefinders, the Hi-Matic G was a completely new model with a different exposure system to its immediate rangefinder predecessor the Hi-Matic F. Some pundits have even queried if someone else had made it for minolta as it was so like many other P&S in the 70’s in classic chrome black styling. My one’s lens barrel had slight movement but this may have been a one of and it didn’t affect shots.
What ever’s the truth of its origins  you do get a 4 element Minolta Rokkor lens which is sharp. This can be focused  by using 4 zones on the top of the lens barrel like an Olympus Trip 35. However the camera is actually a smooth scale focus with distances printed beneath the barrel for more accurate shooting in low light. I quite like the option to switch but find in most cases with scale focus viewfinder your brain still tends to use the 0.8, 1.5, 3m and infinity model.
The rest is fairly typical for a 70’s Japanese compact rangefinder or P&S with the exception of a fairly wide f/14 smallest aperture. The lens barrel mounted CdS metering system automatically sets the camera exposure by a series of  aperture shutter speed combos. These are displayed on a needle meter scale on the right hand side of the viewfinder. The shutter, aperture speeds are all industry standard and offer no surprises.  There are no manual control other than turning from auto to a series of Guide Number(GN) settings for flash.  There is no exposure lock if the meter thinks you are at risk over or under-exposing and there is no bulb setting (shame as it’s cable threaded).
The metering works well enough and was pretty typical for cameras for the era, Also typical it uses the now defunct 1.45v mercury px675 cell but a 1.4v zinc air 675za  hearing aid battery (5 for a quid in Poundland) will suffice abet with more limited power time. The camera lacks a self timer. The viewfinder has usual frame and parallax markings but you’ll struggle to see you focus settings from it.
The main problem with the Hi-matic G is that it a pretty vanilla camera for the 70’s. It takes reasonable shots and it’s specs match its rival but that it. There are no standout features and no endearing/maddening quirks and there is the smallest f/14 aperture size. Does it offer more than the Olympus Trip 35 – no. In fact the Trip although on paper is more limited with just 2 shutter speeds works out better due to its marginally better optics and sensible weighting of its aperture to encourage good depth of field. Now many of my other P&S are equally clobbered by the Trip but they offer quirks or features that the minolta doesn’t. That said it really does nothing wrong per se.
They are widely available and with a bit of luck you can get for a tenner on eBay. Mines end up being sold there. Lightseals will need done but this is relatively easy to do and as ever watch out for battery corrosion. A lens cap is an indicator looked after. It was succeeded by the G2 which is an altogether more plasticky affair.

fonte: austerityphoto.co.uk

Especificações

Type: viewfinder camera using zone focus symbols on the lens barrel.
Manufacturer: probably Minolta (some experts have doubts to say so because of comparable models of other brands)
Year of launch: 1974
Film: 35mm with speeds 25 to 400 ASA
Lens: Rokkor 1:2.8/38mm (4 elements)
Shutter: leaf shutter
Metering: CdS photo resistor
Dimensions: 116×71×53 mm
Weight: 375 g

Fonte: camerapedia


Modelo

A minha tem o n.º de série 7114993


Sítios de referência

austerityphoto.co.uk

camerapedia


Manual

Manual em inglês


Baterias

1.3v 675 type battery

Filme


Fotografias tiradas com esta máquina


Vídeos