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domingo, 16 de junho de 2019

Olympus XA1 (1982)

Olympus XA1 (1982)
#419
This photo is from the copy I own

History and technical features 


The XA1 is often rated as the runt of the XA series litter by XA officandos. But this little overlooked  number can still deliver despite it’s limitations and can surprise.
The XA series was Olympus compact clamshell range of cameras that were sold predominately in the 80’s and carried the torch on for Olympus from the Trip 35 and 70’s compact rangefinders. The  series is probably best known for the XA  probably the most compact 35mm rangefinder in the world and the Ubiquitous XA2 (to some one of the finest P&S there was – I’ve already said it’s good but just not that good).  The XA3 & 4 build on the XA2 but in the middle sits the humble XA1.
This shares the shares the same clamshell design. This makes it compact and ideal to keep in the pocket. You slide open the clamshell to activate the camera’s metering & shutter. But open it and you’ll get a blast from the past in that it’s selenium metered (so no batteries). The spec is also suspiciously not a million miles removed from its more famous selenium ring predecessor the trip with the exception the lens is fixed focus and a fraction of a  stop slower. Like the Trip shooting in too low light causes a red flag appears in the viewfinder which locks the shutter.
The camera also lacks the red membrane touch shutter of the rest of the series. Some moan about its more traditional sticky out shutter but I for one am happier with it and certainly you don’t get any annoying sticky shutter issues. And …psst… wanna know a secret unlike the other XAs you can exposure lock by half depressing it. Sadly it isn’t cable threaded.
Now the downsides. The camera is the most basic in the series, I’ll admit. The camera’s speed range is much more limited (no 2 minute metered exposures here) and you are irritatingly limited to either 100 or 400 asa. The camera loses the self timer and backlight lever compared to its siblings. The lens is f/4 compared to the XA2 f /3.5 (a pretty minor issue – otherwise they are both 4 element set ups). The lens is fixed which does become an issue in low light whereas the XA2 has the zone options. Like the XA2 there is no manual override option for exposure as you get with the Trip.
Like all of the series the camera only uses as a proprietary XA series flash units. It was sold with the A9M as a package but will work with the better units like the A11 or A16.
So how does it shoot ? In good conditions it does fine and I’d argue little different from the XA2  (predominantly a fixed focus camera with the option of zone focus in low light). Yup it does become poorer at low light but then again the XA2 isn’t exactly spectacular there either although it’s zone focusing does help. I’m Guessing the sweet spot for the XA1 in low light is around 3-5 meters. Manual suggests 1.5m to ∞ in good conditions.

Is it better than a XA2 ? In good light it’s just as good and has a better shutter button IMHO and can exposure lock. The XA2  is more versatile however and on a recent trip away where I took the XA1, I was missing having either a LC-A or XA2 for the long shutters in low light. Still the XA1 is a fine camera with 400asa and good weather.  It knocks the spots off cheap plastic fix focus numbers. The XA1 is widely available and you should get well under a tenner as it tends to have bad press. Expect to replace the light seals.

Source: austerityphoto.co.uk

Introduction and Overview

How much do you know about the Olympus XA1? Not much, I assume. You might even be surprised to know that the model ever existed. Seems that the XA1 is the least acknowledged or known of the compact clamshell designed 35mm range/viewfinder film cameras made popular by Olympus in the 80's.
Contrary to the few adverse comments belittling the camera that you can find scattered across the Net, I find the Olympus XA1 to be exactly the opposite, and a delight to use.

Olympus Capsule Cameras
The Olympus Capsule camera series is best known for the Olympus XA which came with signature red membrane touch shutter and a semi-automatic aperture preferred shutter system. It was one of the most compact 35mm rangefinders on the market then. Success breeds success, the capsule series was expanded to incorporate the XA2, a viewfinder with zone focusing; the XA3, upgraded XA2 with DX decoding; the XA4 with macro capabilities; and then there was the XA1.

Design and Build
Olympus XA1, Side Front
The XA1, introduced in 1982, a true point-and-shoot, was the simplest in the clamshell XA range. It came with a fixed focus four elements in four groups 35mm f/4 lens, a programmed shutter range from f4/1.30 second to f22/1.250 second. Exposure is automatic by a built-in selenium meter, which is coupled to a shutter lock with a red pop-up flag mechanism that prevents underexposure (as seen previously on the Olympus Trip 35).

Basic Camera Features
The Olympus XA1 is normally sold as a kit with the Olympus A9M external flash unit. The A9M is a purely manual flash unit powered by a single AA battery.

The D.Zuiko 35mm f/4 fixed lens sits protected behind the capsule cover until it is opened, showing the lens surrounded by bubble modules with the selenium cell behind it. On the lower part of the lens is the latch lever that turns on the flash unit. The viewfinder is on the upper part of the lens assembly.

On the left of the top plate of the XA1 is the film rewind crank, which will be half covered when the capsule cover is opened. The shutter release button, the only protrusion out of the body when the capsule is closed,  and film frame window are located to the right of the top plate.

On the bottom plate are the film ISO selector dial and the rewind release button. The XA1 does not have a tripod socket.

The back of the XA1 is plain except for the viewfinder eyepiece, which is again covered when the capsule cover is closed. The film forward wind is on the right shoulder of the camera body, and the film back is a fixed hinge type. Film loading is standard easy load with film chamber, shutter frame, forward sprocket, a multislot take-up spool, and the standard two blank shots to load the film to frame 1.

Film ASA Speed

The only film speed settings are ASA 100 and ASA 400. Like the rest of the series, the camera only uses a proprietary XA series flash units. The XA1 was sold with the A9M flash unit as a package but will also work with the A11 or A16. By itself, the XA1 does not need any batteries to run or operate it.

Very Affordable
The Olympus XA1 is very affordable, getting one from online sellers and auction sites are usually dirt cheap.

Using The Camera

Olympus XA1, Handling the camera
The compact clamshell design is ideal sliding in and out of your pocket and is just as handy to hold snug in the palm of your hand. Slide the clamshell open to uncover the lens, which also activates the camera’s selenium metering, and you are ready to go.
While some moans at the lack of the red membrane touch shutter, as the rest of the series has them, the shutter of the XA1 is mechanical, does not get stuck, and you know what, the XA1 is the only model in the series that you can do exposure lock with.

The camera does not have a self-timer and the back-light lever which the others have. The fixed f/4 lens does not need any focusing effort on your part, everything in between 1.5 meters to infinity will be in focus. There is no manual override option for exposure, as what you can do on the Olympus Trip 35, either.

All these the XA1 sound like an ideal street shooter actually, where you can shoot from the hip, held up above your head, or while groveling on the ground, and such. Wouldn't that be great?


Exposure Lock Trick
Reminiscence of the Olympus Trip 35 and the Pen EF, the XA1 uses the red pop-up flag system which will activate and lock the shutter in insufficient light condition. If you into some creative shooting, you can overcome this by first pointing the camera to a brighter light source, one which will not trigger the red pop-up flag, half-press the shutter, bring the camera back to the scene you want to capture, and press the shutter release home.

So how was your session with the camera? I thoroughly enjoyed mine, in good lighting condition the renowned Zuiko glass is all glam and glamor, as you can see from the photos posted here, grain and all.

I will continue using it as a fun street shooter, getting yourself lost in the crowd, with a good 35mm lens to boot. Images might not be as clear and sharp in lower light condition, but I suppose you can overcome that too with the tricks that you have up your sleeve.

Source: imagingpixel.com

Specifications

Lens:  D. Zuiko 35mm
Focus: Fixed (1.5m to ∞)
Metering: Selenium Cell
Aperture: f/4-f/22
Shutter: 1/30-1/250
EV 100asa: 9-17
Film speed: 100 or 400asa
Filter-Thread: None

Source: austerityphoto.co.uk

Model


Reference sites

austerityphoto.co.uk

imagingpixel.com


Manual

English manual 


Film
Kodak ColorPlus 200/24

Pictures taken with this machine


Olympus XA1 sample 1

Olympus XA1 sample 2

Olympus XA1 sample 3

Videos



sábado, 4 de agosto de 2018

Canon EOS 1000FN (1992)

Canon EOS 1000FN (1992)
#382
This photo is from the copy I own

History and technical features 

Two years after debut of the highly successful original EOS 1000F/Rebel. Canon introduced the EOS-1000QD/Rebel II in April, 1992. The Company adopted the same philosophy of the predecessor with two separate models in either a choice of basic body or one with a built-in flash version. Similarly, two separate designations were used for US (Rebel II (QD) & Rebel S II (QD) and other markets (EOS-1000N & EOS-1000FN). Apparently, some great features found in earlier EOS-10s & EOS-100/Elan QD was deployed in this second generation Rebel where a silent film advance and rewind mechanism was used in its design (the noise reduction for film advance has significantly improved by approx. 40% and 35% in rewinding but infrared system used in EOS-10S was not used). Wel, the silent waves camera operation in some of these EOS bodies also work efficiently with the emergence of the second generation of micro-USM lenses. That is not all it has to offer, an improved AF performance and microcomputer of the camera has improved AF speed 50% faster than any of the earlier EOS-1000/Rebel QD models. Well, generally, I used to separate the original and second series via its new vertical-travel, focal-plane electronic shutter, which has an extended shutter speed range from 30 sec. to 1/2000 now (the original rebel has 1/000 top speed, but the sync speed of both series are still limiting to rather disappointing 1/90 sec). Another improvement is the incorporation of a popular redeye prevention system with the 1000FN/Rebel SII QD models.
Other notable improvements over previous models are a slightly more powerful (GNO 14 as compared with 12) flash output for the built in flash for applicable models and a built-in soft focus mode. Errr ... there is also a choice of music selections (with beeper and selectable musical melodies by Vivaldi, Beethoven and Bach) when self-timer is activated during count down. In the case of the soft focus mode (similar to Minolta's soft focus program card), it is not running optically (you can use an EF lens with similar effect) but on both the EOS-1000FN/Rebel SII QD, It works by taking two images on the same film frame in rapid succession, shooting one sharp and then defocusing the lens for the second one (the ratio can be adjusted in 1:1 and 1:2). However, one discomforting part in the design of the camera is still centered around the black EF reinforced plastic lense bayonet mount. Although the camera is primarily designed for mass amateur users, where presumably owners may not always be frequently changing lenses, but the cleverly stealth black lense bayonet mount is one area that might raise some doubt over durability issue. The metering and exposure control modes provide is extensive enough for anyone to make good use of them for tackling any photographic situations. The camera has a flexible exposure control in shutter priority AE, aperture priority AE, intelligent program AE, four PIC image Modes, depth-of-field priority AE TTL, A-TTL flash program AE and metered manual via the use of a composite 6-zone SPC photosensor, provides fail-safe evaluative metering, and center partial metering for tricky lighting metering.
Other secondary control includes ±2-step exposure compensation (in 1/2-step increments) and a more conveniently to use AE-Lock. One advantage of the upgrade to this popular EOS body is, since most of the controls are designed and located almost the same manner with many other Canon, user may easily get accustomed to this camera. Although it is not exactly a high-end spec EOS SLR, but it serves its purpose well to provide a good, reasonably well finished camera body to tab into the huge EOS photographic system.

Remarks:

* Probably the first of the EOS bodies that produced outside Japan (Canon's plant in Taiwan).
* These cameras are quiet versions of the earlier EOS-1000, and features new functions such as soft-focus mode and musical self-timer.
* Model-specific Specifications
* Built-in flash: Manual retractable, redeye reduction mode, with automatic firing mode (when necessary), GNO 14 (ISO100, m) (1000S QD, 1000FN/1000FN QD, 1000 QD-P) However, note that only forced firing is possible on REBEL SII/ REBEL SII QD. The EOS-1000N and REBEL II/REBEL II QD do not have a built-in flash.
* AF Illuminator: Models with built-in flash support the AF Illuminator.
* QD models are provided with five imprint date items (including imprint OFF).
* Panorama shooting on the QD-P is by panorama adapter PA-1000. A panorama frame is also attached to the focusing screen. External identifications are indicated by the red outlines. Other features remain literally unchanged.

Source: mir.com.my


Specifications

Camera Type: 35mm focal-plane shutter multi-mode AF SLR camera with buitl in film advance
Picture Size: 24mm x 36mm
Normal standard zoom lense: EF 35-80mm f/4-5.6, or others
Lens Mount: CANON EF mount
AF System: TTL-SIR phase detection. AF modes: One-Shot AF/Predictive AI Servo AF (automatic switchover) and Manual Focus
AF operating range: at ISO 100: EV1- EV18.
Shutter: Vertical-travel, focal-plane electronic shutter. 30 sec. - 1/2000 sec., Bulb, X-sync at 1/90 sec. (hot shoe) in 1/2 stop increments

Viewfinder: Fixed eye-level pentaprism.
Viewfinder magnifications: 0.75x magnification
Filed of view: 90% H, 90% V
Viewfinder Information: AF mark, AF in-focus indicator, partial metering circle, depth-of-field AE, shutter speed, aperture setting, flash on/ready, soft-focus value, AE lock, camera shake alert, exposure compensation, out of coupling range warning, manual exposure level, flash charged completion, and red-eye reduction lamp.
Focusing Screen: Fixed type with AF frame with partial metering area mark. Full-screen New laser matte screen
Metering: Composite SPC for TTL full-aperture metering (using 6-zone SPC photosensor, evaluative metering, and center partial metering can be selected.
Exposure Control: Shutter priority AE, aperture priority AE, intelligent program AE, four PIC image Modes, depth-of-field priority AE TTL and A-TTL flash program AE, metered manual
Exposure compensation range: ±2 EV (in 1/2-stop increments). AE lock enabled.
Metering range: EV +2 to + EV20 (50mm f1l.4 lens @ ISO 100)
Film speed range: ISO 25 to 5000 automatically set in 1/3 step increments according to DX code, manual setting possible
External LCD display: Shutter speed, aperture setting, soft-focus value, film speed, film status indicator, manual exposure level, sound set No. and setting indicator, depth-of-field AE, battery check, and other indications.
Built-in Flash: Located on pentaprism hump. Manually retractable head with TTL autoflash control (fires automatically in backlight and low-light conditions) with off-the-film (OTF) metering. Guide No. 14 (at ISO 100 in m).

Red-eye reduction: Provided
Power Source: One 6 V 2CR5 lithium battery
Battery Chekcer: 4-stage display on LCD at all times
Film Transport: Prewind film loading, auto-winding by built-in miniature motor, winding speed 1 frame/sec. during continuous shooting, automatic rewind at completion of designated number (36) of exposures, automatic stop at completion of rewind

Film Loading & Advance method: Align film leader at mark, then close the camera back for prewind loading. First, the entire roll is wound on the take-up spool. Then each time a picture is taken, the film advances back into the cartridge.
Film advance speed: 1 fps.
Film Rewind: After the last frame is exposed, the film is rewound automatically.
Self timer: Built-in electronic self-timer (with beeper and selectable musical melodies by Vivaldi, Beethoven and Bach).
Dimensions: 148mm x 99.8mm x 69 mm
Weight: approx. 470g (body); 510g (with battery)
Misc. Specs.: ±2-step exposure compensation (in 1/2-step increments), multiple exposure, soft-focus mode
Dedicated accessories: None

Source: mir.com.my


Model

Serial number 4015573


Reference sites

mir.com.my


Manual

English manual


Batteries

2CR5 battery
Film


Pictures taken with this machine



Videos



domingo, 10 de junho de 2018

Pentax Zoom 105 Super (1990)

Pentax Zoom 105 Super (1990)
#356
This photo is from the copy I own

History and technical features 

he Pentax Zoom 105 Super is a fully automatic compact camera released by with a 38-105mm zoom lens. It was also sold as the IQZoom 105 Super so it is part of the Pentax Espio IQZoom series, but this branding is often omitted from the camera body. It was manufactured by Pentax in 1990.

An minor updated version was available in 1991 called the Zoom 105-R which has red eye reduction.

The lens is a 38-105mm, f/4-7.8, the power zoom can be controlled continuously or in steps of 46, 55, 70 and 85mm by lightly tapping the zooming lever. The focal length is displayed on the top LCD screen. The focus range is from 1.35m to inf, but with macro mode enabled this changes to 0.75m to 1.35m. There is also a super macro mode. This button is located under a downward sliding cover on the left hand side of the body. This enables fixed focus range of 0.45m. In this mode the flash always fires and auto focus does not function. An electronic self timer, that can shoot up to five exposures. Number of exposure can be adjusted with the zoom toggle switch. The first shot is set at 10 seconds, the second is at 5 seconds, exposure 3 to 5 is at approx 2 seconds. DX encoded film is required as non-DX film is shot at ISO 25. The film is exposed upside down since the take-up reel is to the left. It takes two CR123A batteries, the battery compartment has a screw that can be release with a accessory on the camera strap. The other side of the tool can be used for mid-roll rewind and date adjustment. The camera strap is slotted to the right hand side of the hand grip.

On date models, Month-Day-Year, Day-Month-Year, Year-Month-Day or Day-Hour-Minute can be imprinted. The years 1987 to 2019 can be imprinted.


Source: camera-wiki.org

Specifications

Type: Fully automatic 35mm film camera with zoom lens
Film: DX-coded ISO 25-3200, frame size 24x36mm
Lens: Pentax power zoom 38-105mm, f/4-7.8 with macro mode. 11 elements in 9 groups - Angle 50-23.5 degrees.
Focusing: Active infrared autofocus system
Shutter: automatic 1/250s-1/3 sec. Bulb: 1/2-60 sec.
Self-timer: up to 5 frames.
Viewfinder: 87% - magnification 0,45-0,97
Exposure Compensation: +-3EV (steps of 0.5 EV)
Double exposure: possible
Flash: built-in.
Film advance: automatic - max. 1.3 fps, automatic rewind.
Power: Two 3v lithium batteries CR-123A or DL 123A
Size: 144x83x67 mm
Weight: 470g without batteries.

Source: camera-wiki.org


Model

Serial number 1721540


Reference sites

camera-wiki.org



Manual

Manual in english


Batteries

2 CR123A batteries

Film


Pictures taken with this machine



Videos

quarta-feira, 28 de março de 2018

Tekoni 500F

Tekoni 500F
#319
This photo is from the copy I own

History and technical features 

Tekoni 500F is a 35mm film viewfinder camera made in Japan.

Source: camerapedia


Specifications

Lens 1:4 f = 40 mm.
Built-in flash.

Source: camerapedia

2 AA batteries


Model


Reference sites

camerapedia


Manual


Batteries

2 AA batteries
Film


Pictures taken with this machine



Videos

segunda-feira, 4 de dezembro de 2017

Kinon 205AF (1995)

Kinon 205AF (1995)
#264
Esta fotografia é do exemplar que possuo

Características

Not really a junk camera because it has correct technical features (cell, autofocus, engine, flash), but probably a cheap camera, the type to be sold in blister packs in supermarkets.

Note the ambiguity often maintained. It is inscribed on the front "Made in Japan". This applies only to the lens, because at the base of the camerat, there is a label "Passed China".

By searching the internet, we may find ( even if it is quite difficult) some other cameras of this brand.

Fonte: collection-appareils.fr

Especificações

autofocus

light cell

motozized

flash

35mm film


Modelo


Sítios de referência

collection-appareils.fr


Manual


Baterias

2 AA batteries

Filme



Fotografias tiradas com esta máquina


Vídeos

sexta-feira, 29 de setembro de 2017

Fuji DL-30 (1986)

Fuji DL-30 (1986)
#235
Esta fotografia é do exemplar que possuo

Características

The Fuji DL-30 is a 1986 budget auto-focus camera, as can be seen in the modest lens specifications and the fact that it doesn't have motor drive. Instead, film is advanced using a thumbwheel and rewinds using a crank. A retracting lens barrier doubles as the on/off switch. It has a pop-up flash and supports DX coded film. A version in red was also sold called Rouge.

Fonte: camera-wiki.org

Especificações

35 mm f/4 lens, 3 elements/3 groups.
Programmed shutter ranging from 1/64 to 1/360 s.
Active infrared autofocus
Built-in pop-up flash.
Drop-in loading; no threading is needed, but film is wound using thumbwheel.
Reads DX coded films
Runs on 2 x AA batteries.
Dimensions: 125 x 73 x 46,5 mm.
Weight: 220 g.

Fonte: camera-wiki.org


Modelo

A minha tem o n.º de série 8044332


Sítios de referência

camera-wiki.org


Manual


Baterias

2 AA batteries

Filme


Fotografias tiradas com esta máquina


Vídeos