Mostrar mensagens com a etiqueta Lomo. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Lomo. Mostrar todas as mensagens

sexta-feira, 19 de julho de 2019

Lomo LC-A (1984-2005)

Lomo LC-A (1984-2005)
#425
This photo is from the copy I own

History and technical features 

he LOMO Kompact Automat (LC-A) was produced by LOMO PLC in St. Petersburg, Russia from 1984 until 2005. This compact 35mm film viewfinder camera was based on the Cosina CX-2, but lacks the self-timer and is built with cheaper components, including the fairly soft Minitar lens.

It was the LOMO LC-A that sparked the Lomographic Society (LSI).

After production ended, LSI contracted with Phenix Optical Company in China to create an updated version called the LC-A+.

Source: camerapedia

Lomo Compact group consists of 5 different cameras. Although the famous Lomo LC-A is surely the most promoted soviet camera in the World, at least 3 of the rest cameras are almost unknown to collectors community indeed. Below you will find an unique information about all 5 Lomo Compact cameras with actual pictures of real cameras, not the bad quality paper scans.

Beeing actually an exact COSINA CX copy, LOMO LC-A is just a crappy little Soviet/Russian compact 35mm camera with scale focusing and automatic exposure control.  It also sports a 32mm lens which is slightly wider  than most compact 35's.

Source: sovietcams.com

The Lomo LC-A should be nothing more than historical curio, something that crops up in the collections of the most die-hard Soviet camera collectors. Like more than a few Soviet camera designs, the LC-A was a Soviet redesign of a Western camera – in this case Cosina’s CX-1 and CX-2, pocket-sized Japanese compact 35mm cameras with a superb lens.

The designers at Lomo (Leningradskoye Optiko-Mekhanicheskoye Obyedinenie) in Leningrad (now St Petersburg) first clapped eyes on the Cosina – history is split over whether it was a CX-1 or a CX-2 – in the early 1980s. The Lomo top brass were impressed with the little Japanese camera, which boasted a sharp, contrasty lens that resulted in rich, saturated colours, heightened by vignetting around the corners. By 1984, Lomo’s engineers had managed to build a ‘tribute’, a faithful yet simplified version. They called it the Lomo Kompakt Automat – or, as it would be known in the West in the decades to come, the LC-A.

Lomo began producing 1,100 a month of these cameras from June 1984. Unlike the ubiquitous Zenit SLRs, a favourite of many budget-minded amateur photographers in Western Europe, the LC-A was intended for domestic consumption. In fact, some 5,000 LC-As were especially stamped to commemorate the 27th Communist Party Congress in Moscow in 1986 (the first presided over by reform-minded party chairman Mikhail Gorbachev).

With the collapse of the Soviet Union in 1991, this strange little camera – which had built up many a fan in Soviet-aligned countries – became a secret no longer. And when a bunch of Austrian art students – the group who would later form Lomography in Vienna – found an LC-A in a Prague junk shop that year, they catapulted the LC-A to global fame.

As the LC-A celebrates its 33rd birthday, Kosmo Foto is profiling the family of cameras inspired by Lomo’s humble LC-A.

Source: kosmofoto.com


Specifications

First produced in 1984, the LC-A was almost unknown outside the USSR and other Communist states until the end of the Cold War. A cruder copy of Cosina’s CX-1 and CX-2, the LC-A shared many of the cult Cosina’s features (its biggest change was getting rid of the moving lens cover of the Cosina in favour of a simpler slider). It was a zone focus viewfinder camera, with four focus zones to choose from (0.8m, 1.5m, 3m and infinity) and an automatic setting (via a lever on the front left of the camera) that chose both shutter speed and aperture.

The LC-A’s 32/2.8 Minitar lens had an aperture range of f2.8 to 16, and its shutter speeds went from 1/500 to two seconds; more than enough to capture a shot in all but the most difficult lighting. Should photographers want a little more control, they could choose an aperture manually – but they would be restricted to a single shutter speed of 1/60. In reality, most snappers simply stuck the LC-A on ‘A’ and fired away.

The LC-A’s ability to keep the shutter open long enough in low light was one of its secret weapons. LC-A fans soon learn that shooting it handheld (the LC-A came with a tripod socket but no hole for a cable release in the shutter button) meant light sources would often become abstract trails. These were heightened by the lens’s tendency to boost contrast and vignetting, which could be further boosted by shooting cross-processed slides – Agfa’s original CT100 Precisa and Kodak’s Elite Chrome 100 soon became the standard for LC-A fans.

The LC-A further aligned itself as a night-time camera thanks to its qualities when used with a flash – the LC-A uses rear-curtain flash, rendering the background of a scene before the flash illuminates the front.

Original LC-As – sporting the name in Cyrillic letters and a tiny CCCP badge on the back – used the Soviet film rating system, GOST, which is close to but not exactly aligned to the West’s ASA/ISO rating (GOST 65 is roughly equivalent to 100 ISO). The highest GOST setting is 250, the equivalent to around 400 ISO.

There, were, however, various export models of the LC-A that used the Western alphabet and Western ISO settings aswell. Some of these were exported as the “Zenith Lomo”, perhaps to trade in on the Zenit brand name that was so well known in the UK.

Soviet-era LC-As still crop up reasonably often on eBay – and should you head east of Berlin on your travels, they’re still fairly common in cameras stores and flea markets. The major cause of failure is damage to the electronics – if these are on the blink, an LC-A is little more than a paperweight, as without batteries or a functioning exposure system, the camera’s shutter won’t open properly. Thankfully, the LC-A runs on three buttoncell LR44/SR44 batteries, which are cheap and plentiful.

Source: kosmofoto.com


Model

PK7350. The most common Lomo LC-A type to find nowadays. Export "LOMO" markings on the frontplate. International ASA settings. No otherwise different.

Source: sovietcams.com


Reference sites

camerapedia

kosmofoto.com

sovietcams.com


Manual

English manual


Batteries

3 LR44 batteries

Film


Pictures taken with this machine



Videos


domingo, 11 de junho de 2017

Lubitel 2 (1954-1980)

Lubitel 2 (1954-1980)
#189
Esta fotografia é do exemplar que possuo

Características

Lubitel (cyrillic: Любитель) means "amateur" in Russian. The Lubitel 2 was made in great numbers by the Leningrad GOMZ (later LOMO) factory. More than two million were produced between 1954 and 1980. There are versions with a cyrillic name plate or with one in latin script as the one shown, and it was rebadged for various other markets as Kalimar TLR100, Amatör II and Global 676[1]. It was also produced as a stereo version and sold as the Спутник (Sputnik). The camera body is made of plastic, possibly bakelite. The waist level finder and focusing rings are made of metal. These cameras were delivered with a case and strap made of artificial leather. There is a stepless aperture scale under the taking lens with apertures from 4.5 to 22. Winding the film is done by a black knob on the right side of the camera. This does not cock the shutter.

The most exceptional feature of the Lubitel that its focusable reflex finder has no simple matte screen but a big viewing lens which makes it looking like a brilliant finder. Inside the finder that lens has a small round plane matte screen spot for exact focusing. A collapsible loupe helps focusing exactly. This very clear finder helps you to compose your picture in dim light situations. The focusing is done on the small center spot. Four wedges help you orientate the picture. While very bright, this finder gives a "dancing" picture. This happens especially when the camera is hanging on your belly and you look down into the finder. This is rather strange, since this is the position you're supposed to look through it. When you look onto the glass from closer by, you often get a "tunnel" vision; the edges become darker (light falloff?). The finder hood can be folded partially so that front and back of the hood serve as sports finder.

The Lubitel has a LOMO T-22 75/4.5 taking lens. It is actually a little wider than the normal 80mm medium format standard lens. The shutter is cocked with a red-dotted lever. The aperture and the shutter button are all positioned around the taking lens.

The Lubitel-2 has no framecounter. When you turn the knob in the direction of the little white arrow, frame numbers on the back of the 120 film become visible through the little red window.

Fonte: camerapedia


Especificações

Produced: 1954-1980
Name: „Любитель-2“
Producer: GOMZ/LOOMP/LOMO
Lens: Triplet-22   4.5/75
Shutter ZT-5: 1/10s, 1/25s, 1/50s, 1/100s, 1/200s + B.
Shutter ZT-8: 1/15s, 1/30s, 1/60s, 1/125s, 1/250s + B.

Quantity:    2.232.245 units.

Fonte: Sovietcameras.com


Modelo

A minha tem o n.º de série 094047. Ainda não consegui identificar o modelo, através desta página: Sovietcameras.com


Sítios de referência

camerapedia

Alfredklomp.com

Sovietcameras.com


Manual

Manual em inglês


Filme


Fotografias tiradas com esta máquina


Vídeos




segunda-feira, 19 de dezembro de 2016

Komsomolets (1946-1951)

Komsomolets (1946-1951)
#141
Esta fotografia é do exemplar que possuo

Características

The Komsomolets („Комсомолец“) was a sophisticated pseudo TLR, almost like the German pre-war Brillant. It was named "комсомолец", meaning member of the Komsomol, the All-Union Leninist Young Communist League, the youth organization of the former Soviet Union. Its plastic body design was taken over for the Lubitel, a real TLR.

Fonte: Camerapedia

I believe, that Komsomolets was the very first postwar mass-production camera to enter the Soviet Union market. An official LOMO sources refer to september of 1946 as Komsomolets start.

The very first Komsomolets cameras had frame counters on the body and left-sided film window on the rear door. According to Luiz Paracampo, 120 films (or simply 60mm in Russia) had only 6x9 markings up to 1950. That way, the earliest Komsomolets cameras had a left-sided red window, used for the counter start.

An earliest so far known serial number of "frame counter" Komsomolets is #460011 (LOMO archives), the latest one - #4725265 (SovietCams). In total, at least  1 Komsomolets version, 3 Komsomolets "Model-A" (without frame counter) and 1 Komsomolets "Model-B" (new shutter) versions with at least 18 types are known to exist nowadays.

Fonte: Sovietcams


Especificações

The "комсомолец" was produced from 1946 to 1951 by GOMZ. Frame size was 6x6cm, but the first Komsomolets cameras had a red window for 6x9cm frame size since early Soviet 120 film had just 6x9 frame markings on the backing paper. The camera had a Triplet-21 6.3/80 lens and a shutter with speeds 1/25, 1/50, and 1/100 sec. plus B mode.

Fonte: Camerapedia


Modelo

A minha parece ser da versão 4-A (PK1175). ver aqui.
Tem o n.º de série 4972527


Sítios de referência

Camerapedia

Sovietcams

Rolandandcaroline


Manual


Filme


Fotografias tiradas com esta máquina


Vídeos

sábado, 20 de fevereiro de 2016

Lomo Smena 35 (1990-1993)

Lomo Smena 35 (1990-1993)
Esta fotografia é do exemplar que possuo.

Características

Smena-35 is a viewfinder 35mm film camera made by LOMO and produced between 1990-93. Smena = СменA, means Young Generation or Relay

There are 5 types and 3 sub-types of the Smena-35.

  • Similar with Smena-8M but has a new modern design
  • Engraving on the front plate: Made in USSR
  • Engraving on the back cover: ЛОМО
  • Lens: ЛОМО (LOMO) T-43 (Triplet) 40mm f/4 filter slip-on
  • There is an exposure guide according to ISO range on front of the lens
  • Aperture: up to f/16 setting: ring and scale on front of the lens
  • Focus range: 1-10m +inf
  • Focusing: manual front cell focusing, distance scale with potrrait, half-portrait, group and landscape symbols
  • Shutter: leaf shutter; speeds: 1/15-1/250 +B; setting : ring with speeds scale and weather symbols, on the lens-shutter barrel
  • Shutter release: a button on the top plate
  • Cocking lever: on the lens-shutter barrel
  • Frame counter: manual reset, additive type, window and setting ring on the back of the top plate, not works wo/ the film in the camera
  • Winding knob: a thumb wheel, on the back of the top plate, double exposure preventing
  • Viewfinder: reverse telescopic finder
  • Re-wind lever: folding crank, on the top plate
  • Re-wind release: set the shutter release button to R
  • Flash PC socket: none
  • Hot-shoe
  • Self-timer: none
  • Back cover: hinged, opens by a latch on the left side of the camera
  • Tripod socket: ¼"
  • Hand strap lug
  • Body: plastic; Weight: 190g
  • Serial no.first two numbers show the producing year, under the back cover

Fonte: Camerapedia

  • Produced: 1990-1993
  • Name: „Смена-35“
  • Producer: LOMO
  • Lens: Triplet-43 4/40
  • Shutter: 1/15s, 1/30s, 1/60s, 1/125s, 1/250s + B
  • Quantity: 839.109 units

Fonte: Sovietcams


Modelo

A minha pertence ao modelo PK4310.
Blue line emphasizing the white logo. Black lens faceplate. Very common to find nowadays. Seems to be released by Lomo since 1991.

Fonte: Sovietcams


Manual

Manual em Inglês
Manual em Russo

Sítios de referência

Camerapedia
Lomography
Sovietcams


Vídeos


domingo, 7 de fevereiro de 2016

Lomography Konstruktor

Lomography Konstruktor F
Esta fotografia é do exemplar que possuo.

Características

For a plastic camera, the Konstruktor has a very solid build. Unlike other camera kits I’ve seen, this one was designed with excellent attention to detail, particularly where moving parts like the lightbox and focal length adjustment on the lens are concerned. While most camera kits give you tips on estimating the film advance (e.g., “turn the dial one and a half times”), the Konstruktor has an actual frame counter which works rather accurately, assuming you remember to reset it when you load a new roll of film.
The vertical viewfinder will take some getting used to for photographers unfamiliar with them. For starters, everything is flipped horizontally 180 degrees. Right becomes left, left becomes right, and it’s going to take a brief adjustment period to get comfortable with it. Some photographers may also find it a bit restrictive in terms of shooting angles. While this type of viewfinder can be a bit frustrating at first, stick with it. You’ll be glad you did. While I’m on the subject of the viewfinder, I should also point out that the optional Magnifying Chimney Hood not only provides magnification, but also does a great job of shielding the viewfinder from the inevitable glare that makes getting a good look at the image difficult, particularly on a sunny day.
Since everything about this camera is manual, the mechanism for raising the mirror is no exception. Placed to the left side of the lens where you are probably used to finding the auto-focus switch on your DSLR, a small lever is used to lift the mirror into position after each shot. Don’t worry about forgetting– you won’t be able to see anything through the viewfinder if you don’t raise the mirror.
Don’t forget– 1/80 is a pretty slow shutter speed. I’m not going to say you can’t hand-hold this camera at 1/80, but you may want to take advantage of the standard tripod mounting hole on the bottom of the camera. I did laugh for a minute when I realized I had a $35 camera sitting on top of a $300 tripod, but you do what you gotta do.

Especificações

35mm film
50mm prime lens
f/10 fixed aperture
Two shutter modes. N (1/80s, assuming proper assembly) or B (Bulb for long exposures)
Adjustable focal length (0.5m, 1m, 2m, Infinity)
Magnifying Chimney Hood Kit
Close-up and Macro Lens Kit (15cm focal distance on Close-up and 5cm on Macro)
Konstruktor brand plate and stickers to personalize the look of your camera

Fonte: diyphotography.net


Modelo

A minha é uma Konstruktor F.


Manual

Manual em inglês


Sites de referência

diyphotography.net
Lomography International
Lomography Portugal






Película usada


Lomography 800 Color Print Film 135


Amostras

As seguintes fotografias foram efetuadas com a minha máquina

Lomography Konstruktor exemplo 1

Lomography Konstruktor exemplo 2

Lomography Konstruktor exemplo 3

Lomography Konstruktor exemplo 4

sexta-feira, 22 de janeiro de 2016

Lomo Smena 8 (1963-1971)

Lomo Smena 8
Esta fotografia é do exemplar que possuo.

Características

Smena-8 is a viewfinder 35mm film camera made by GOMZ, LOOMP and LOMO and produced between 1963-71. Doubtless one of the most popular Smena cameras. Smena-8 was the camera USSR tried to enter the international market.

There are 7 types and 3 sub-types of the Smena-35. The export types were named as Cosmic-35 and Global-35
This model is similar with Smena-6 , but added film rewind, possible to use just one cassette with take-up spool and blocking system
Pop-up rewind knob
Shutter: speeds 1/15-1/250 +B w/synchronizer
Lens: T-43 (Triplet) 40mm f/4
Aperture: f/4-f/16
Hot-shoe
Self-timer
Body: plastic

Fonte: Camerapedia

Doubtless one of the most popular smena cameras. Smena-8 was the camera USSR tried to enter the international market. Camera indentical to Smena-6 with a special device for reverse taking-up from cassette to cassette, possible to use just one cassette with take-up spool. Pop-up rewind knob. In the back of camera imprinted either old Gomz logo (as well as on the lens faceplate), either blank circle.

The Lomo Compact Automat (or LC-A for short), is a small Russian-made 35mm camera that has become very cult and popular. Smena is also produced by "Lomo" and my opinion is that it is also suitable for "Lomography". I am not completely aware of what that term actually keeps inside but one rule is that you should never know what kind of photos you'll get when you shoot a picture with a "Lomo".

Smena 8 is not like Lomo LCA a fully automatic (exept focusing) 35mm camera. You have to "do" something to get the picture. It is against a rule "Shoot before you think" but the rule could be bypassed by thinking "not too much". Like mthis you maintain the creativity and the randomness.

First camera in the Smena 35mm Series was introduced in 1953. Smena 8 was made in 1963 -1971. It is fitted with T-43, f4,0 coated lens. Shutter speeds are B, - 1/15, 1/30,1/60, 1/125, 1/250sec. It has a self-timer and a cocking is not integrated to film advance wheel. Camera material is plastic.

Fonte: TheCameraSite

LOMO factory is situated in the city of St. Petersburg. Since 90 years LOMO has designed and manufactured optical devices for various applications. Beginning with its foundation in 1914 LOMO was largest optical device manufacturer for Russian Army. Times have changed and now LOMO works not only for military and space programs but also for science and industry and for t he consumer products market.

Fonte: Sovietcams


Modelo

A minha parece ser do 3.º modelo, ou seja, uma PK2680: The most common version of the particular camera. New "Lomo" logotype on the lens already. The blank circle imprinted on camera's rear door. No more "No." prefix in serial number.  An early sample still comes with tripod thread - 3/8'' yet, though the big majority of type-3 cameras have tripod thread 1/4'' already. "Sdelano B CCCP" or "Made in USSR" markings on shutter housing, near the serial number. No more black arrow, engraved on film rewind knob on late cameras. A lot of variations in this group, indeed.

Fonte: Sovietcams

Tem o n.º de série gravado junto ao obturador 332891.


Manual

Manual em Inglês


Sites de referência

Camera-wiki.org
Camerapedia
Sovietcams
TheCameraSite


Vídeos



quarta-feira, 30 de dezembro de 2015

Lomo Lubitel 166B (1980)

Lomo Lubitel 166B

Esta fotografia é do exemplar que possuo.

Características

Twin lens reflex medium format camera, two objective lenses of the same focal length. One of the lenses is the photographic objective and the other is used for viewfinder system. The two objectives are connected, so that the focus shown on the focusing screen will be exactly the same as on the film. Uses 120 roll film with square 6x6 images. Shutter speeds from 1/250 to 1/15 and a bulb setting, aperture from f/4.5 to f/22, and focuses close at just over a meter.

Fonte: Camerapedia


Lomo made this plastic-bodied Twin lens reflex medium format camera beginning circa 1980. It was a small revision to the 1976 Lubitel 166, adding a self-timer. Of its two lenses, the lower one, with the shutter, exposes the film, while the other serves the viewfinder. The two lenses both screw in and out for focusing (rather than being mounted in a racking front-plate as in many TLR cameras); each lens has gear-teeth around the edge, and the two are meshed to couple their focus. There is a focus scale on the viewing lens. Like the earlier Lubitel models, the 166B's viewfinder has a condenser lens rather than a ground-glass screen, with only a small central spot ground for focusing. This (it is a design copied from the focusing model of the Voigtländer Brillant) requires some care in focusing, but gives a much brighter view for framing than would a full-frame ground-glass screen.
The Lubitel 166B uses 120 roll film and exposes 6x6cm square images. Shutter speeds are from 1/250 to 1/15 and a bulb setting; the shutter is synchronised for flash, with a PC socket on the lens barrel, and a cold shoe on the left side of the camera. The lens is a coated 75 mm f/4.5 T-22 triplet lens, with aperture down to f/22, and the close-focus limit is at just over a meter. This accepts 40.5 mm threaded hood and filters.

The camera was sold with a synthetic leather strap, a vinyl case, a push-fit lens cap and a cable release.

Fonte: Camera-wiki.org


The Lubitel is a Russian-made twin lens medium format camera that uses 120 roll film. The camera has a long history and there are many models available. Mine is the fairly recent 166B which takes twelve 6cm square pictures on a roll of 120. If I had to buy it again, I'd probably try to get the 166U which does 6x4.5 (16 rectangular shots per roll) as well as 6x6.

Sadly the Lubitel is no longer in production, but since they are not 'collectible' cameras second-hand Lubitels are cheap, and come up fairly regularly at reasonable prices on Internet auctions. You can even find them new in their boxes at some camera shops if you are prepared to hunt around.

'Twin-lens' means that the lens used for looking through and focusing is separate from the actual lens used to take the shot. The focusing lens on the Lubitel is set above the shooting lens. The Lubitel manages the problem of keeping the viewing lens and shooting lens focused on the same thing using a simple cog mechanism. As you turn the viewing lens, so turns the shooting lens.


The lenses and focusing screen are glass, the mechanics metal, and the body a rather cheap plastic. The thinness of the body plastic makes this a wonderfully lightweight camera (approximately half a kilo). The disadvantage is that even on a secure tripod, the bottom of the camera is still slightly flexible and the whole thing will shudder if tapped or knocked. I've fixed this on mine by gluing a cut up cork coaster to the bottom, between the raised feet, so that I have a larger flat surface making contact with the tripod head.

Focusing can be a little tricky - a little magnifier flips up above the focusing screen, which enlarges the image on a small ground glass circle in the center of the focusing screen. Framing is also a bit hit and miss, particularly at close range due the distortion of the focusing screen, and the viewfinder and shooting lenses being in different places (parallax).

The Lubitel 166B has all the standard manual features: shutter speeds from 1/250 to 1/15 and a bulb setting, aperture from 4.5 to 22, and focuses close at just over a meter. It has a hot shoe on the side of the body, a socket for a mechanical shutter release, and a flip down section in the front of the focusing hood that provides a framing window designed for framing a moving subject (tracking a moving subject on the glass focusing screen can be a bit disorientating). There's no built-in metering, and hence no need for batteries. This is a fully mechanical camera.

The process of taking a shot is roughly as follows:

1. Take a light reading with a hand-held light meter or guestimate the exposure
2. Set the shutter speed and aperture with the dials around the shooting lens
3. Frame using the flip down framing window in the hood
4. Focus using the magnifier to view the ground glass screen
5. Cock the shutter with the cocking lever
6. Trip the shutter using the release lever or a shutter release

The Holga is often said to be a good inexpensive way to get into medium format photography, but personally I'd recommend the Lubitel. The Holga's funky blur and dark edges are charming for many types of picture, but if you want more sharpness in your edges, and more importantly, control over exposure, then the Lubitel is a better choice. Mounted on a tripod the Lubitel can give some very respectable pictures, and even hand-held it is capable of good results. Comparing the picture quality with my other medium format cameras, it comes somewhere between the Holga and the Kiev - closer to the Kiev than to the Holga.

Some would argue that you'd be better off getting a used Japanese twin lens like the Yashicamat or Ricohflex. Certainly the Japanese cameras probably have better optics and will give you sharper pictures, but I you'd have to pay more, and you'd have a heavier camera to carry. If you get the Lubitel 166U, you also have the flexibility to take both 6x6 and 6x4.5. I'm certainly glad I have my Lubitel, and I get a lot of use out of it.

Fonte: Heayes.com

This is a Lubitel 166B. Introduced in around 1980, the Lubitel 166B is a simplified version of the Lubitel 166 and indeed is effectively a Lubitel 2 with a thermoplastic body. Unfortunately the Lubitel 166B retains the use of spindles for both film and takeup spools as introduced with the Lubitel 166. It also retains the Lubitel 166 back catch. Both features which have proved to be weak in actual use.





Modelo

Só existe um modelo. A minha tem o n.º de série 82248177, o que permite inferir que foi fabricada em 1982.


Manual



Sites de referência



Vídeos



sexta-feira, 23 de janeiro de 2015

Lomo Smena 8M (1977)

Lomo Smena 8M (1977)
Esta fotografia é do exemplar que possuo.
#0003
Características


Lens: LOMO (ЛОМО) T-43 (Triplet) 40mm f/4 filter slip-on
Aperture: f/4-f/16 setting: ring and scale on front of the lens
Focus range: 1-8m +inf
Focusing: manual front element focusing, guess the distance or use the symbols on the scale
Shutter: spring leaf shutter, speeds: 1/15-1/250 +B setting: ring and double scale on the lens shutter barrel, you can use either the symbols or numeric scales
Shutter release: on the top plate w/cable release socket
Cocking lever: on the lens-shutter barrel
Winding knob: on the back of the top plate, double exposure preventing
Frame counter: on the back of the top plate, manual setting with a thumb wheel, not works wo/ a film in the camera
Viewfinder: reverse telescopic finder
Re-windknob: on the top plate
Re-wind release: pull-up the re-wind knob
Flash PC socket: on the lens-shutter barrel
Cold-shoe
Back cover: hinged
Tripod socket: 1/4"
Body: plastic; Weight: 261g
Serial no. on the bottom plate, the first two digits show the production year
There are 5 types and 9 subtypes of the Smena-8M.

Fonte: Camerapedia


Modelo

A minha é uma modelo 4b e tem o número de série 77784892. Portanto, é de 1977.

Factory GOMZ (LOMO)

lens T-43
the type made from 1974 to 1989
example of number
minimum found number 74791460
maximum found number 89447489
Produced pieces Unknown
Rarity R1

Distinctive features of type

Double inscription Smena-8m;
Serial number on the bottom and with first two figures of year;
knob of lock of rear cover is plastic;
Screw for tripod with metal;
Fonte: Fotoua


Manuais





Sites de referência












Amostras

As seguintes fotografias foram efetuadas com a minha máquina

Lomo Smena 8M exemplo 1

Lomo Smena 8M exemplo 2

Lomo Smena 8M exemplo 3

sábado, 10 de janeiro de 2015

Lomo Cosmic 35 (1963)

Lomo Cosmic 35 (1963)
Esta fotografia é do exemplar que possuo.
#0002
Características
  • This model (Smena 8) is similar with Smena-6 , but added film rewind, possible to use just one cassette with take-up spool and blocking system
  • Pop-up rewind knob
  • Shutter: speeds 1/15-1/250 +B w/synchronizer
  • Lens: T-43 (Triplet) 40mm f/4
  • Aperture: f/4-f/16
  • Hot-shoe
  • Self-timer
  • Body: plastic
  • The export types were named as Cosmic-35 and Global-35
Fonte: Camerapedia


Modelo
  • Camera made from 1963 to 1971
  • Produced pieces: Unknown
Fonte: Fotoua

A minha é uma Pk2705. - Camera under uncommon export name "Cosmic 35" (for United Kingdom market). Changed nameplate design with "Lomo" logotype on the lens. "Made in USSR" markings on the shutter housing, below the serial number. Tripod thread - 1/4''. 
Fonte: Sovietcams

N.º de série na lente: 223302

Manuais







Amostras

As seguintes fotografias foram efetuadas com a minha máquina

Lomo Cosmic 35 - exemplo 1

Lomo Cosmic 35 - exemplo 2

Lomo Cosmic 35 - exemplo 3

Lomo Cosmic 35 - exemplo 4

terça-feira, 30 de dezembro de 2014

Lomo Smena Symbol (1973-1993)

Lomo Smena Symbol (1973-1993)
#0001
Esta fotografia é do exemplar que possuo.

Smena Symbol (Смена Символ) is a viewfinder 35mm film camera made by LOMO and produced between 1970-93. Smena Symbol = Смена Символ, Smena means Young Generation or Relay.

There are 8 types and 3 sub-types of the Smena-Symbol. Export types were named as Revue 135 Symbol, Panorama, and Cosmic Symbol.
Características
  • Lens:LOMO (ЛОМО) T-43 (Triplet) 40mm f/4 filter slip-on (Modernized cameras that were produced later with fast black surface "Industar-73" 40mm f/2.8 lens)
  • Aperture: f/4-f/16
  • Focus range: 1-10m +inf
  • Focusing: manual, guess the distance or use symbols on the scale
  • Shutter: leaf shutter, speeds: 1/15-1/250 +B w/synchronizer
  • Setting: ring and double scale on the lens shutter barrel, you can use either the symbols or numeric scales
  • Shutter release: on the lens-shutter barrel w/cable release socket
  • Cocking lever: also winds the film, on the back of the front plate
  • Frame counter: auto-reset, advance type, window on the back of the top plate
  • Viewfinder: reverse telescopic finder, reduced size displaced to allow a rewind crank
  • Film speed memo on camera back
  • Hot-shoe
  • Body: plastic

Serial no. on the bottom plate, the first two digits show the production year.

Fonte: camerapedia


Modelo

Fabricadas 4.181.469 unidades (Fonte: Sovietcams). Segundo este site, a minha é uma PK3735.
A minha tem o n.º de série 82457503, logo, é de 1982.


Manuais

Manual em Inglês

Manual em Castelhano


Sites de referência

Camera Wiky Smena Symbol
camerapedia

Amostras

As seguintes fotografias foram efetuadas com a minha máquina

Lomo Smena Symbol exemplo 1

Lomo Smena Symbol exemplo 2
Vídeos