Mostrar mensagens com a etiqueta URSS. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta URSS. Mostrar todas as mensagens

sexta-feira, 19 de julho de 2019

Lomo LC-A (1984-2005)

Lomo LC-A (1984-2005)
#425
This photo is from the copy I own

History and technical features 

he LOMO Kompact Automat (LC-A) was produced by LOMO PLC in St. Petersburg, Russia from 1984 until 2005. This compact 35mm film viewfinder camera was based on the Cosina CX-2, but lacks the self-timer and is built with cheaper components, including the fairly soft Minitar lens.

It was the LOMO LC-A that sparked the Lomographic Society (LSI).

After production ended, LSI contracted with Phenix Optical Company in China to create an updated version called the LC-A+.

Source: camerapedia

Lomo Compact group consists of 5 different cameras. Although the famous Lomo LC-A is surely the most promoted soviet camera in the World, at least 3 of the rest cameras are almost unknown to collectors community indeed. Below you will find an unique information about all 5 Lomo Compact cameras with actual pictures of real cameras, not the bad quality paper scans.

Beeing actually an exact COSINA CX copy, LOMO LC-A is just a crappy little Soviet/Russian compact 35mm camera with scale focusing and automatic exposure control.  It also sports a 32mm lens which is slightly wider  than most compact 35's.

Source: sovietcams.com

The Lomo LC-A should be nothing more than historical curio, something that crops up in the collections of the most die-hard Soviet camera collectors. Like more than a few Soviet camera designs, the LC-A was a Soviet redesign of a Western camera – in this case Cosina’s CX-1 and CX-2, pocket-sized Japanese compact 35mm cameras with a superb lens.

The designers at Lomo (Leningradskoye Optiko-Mekhanicheskoye Obyedinenie) in Leningrad (now St Petersburg) first clapped eyes on the Cosina – history is split over whether it was a CX-1 or a CX-2 – in the early 1980s. The Lomo top brass were impressed with the little Japanese camera, which boasted a sharp, contrasty lens that resulted in rich, saturated colours, heightened by vignetting around the corners. By 1984, Lomo’s engineers had managed to build a ‘tribute’, a faithful yet simplified version. They called it the Lomo Kompakt Automat – or, as it would be known in the West in the decades to come, the LC-A.

Lomo began producing 1,100 a month of these cameras from June 1984. Unlike the ubiquitous Zenit SLRs, a favourite of many budget-minded amateur photographers in Western Europe, the LC-A was intended for domestic consumption. In fact, some 5,000 LC-As were especially stamped to commemorate the 27th Communist Party Congress in Moscow in 1986 (the first presided over by reform-minded party chairman Mikhail Gorbachev).

With the collapse of the Soviet Union in 1991, this strange little camera – which had built up many a fan in Soviet-aligned countries – became a secret no longer. And when a bunch of Austrian art students – the group who would later form Lomography in Vienna – found an LC-A in a Prague junk shop that year, they catapulted the LC-A to global fame.

As the LC-A celebrates its 33rd birthday, Kosmo Foto is profiling the family of cameras inspired by Lomo’s humble LC-A.

Source: kosmofoto.com


Specifications

First produced in 1984, the LC-A was almost unknown outside the USSR and other Communist states until the end of the Cold War. A cruder copy of Cosina’s CX-1 and CX-2, the LC-A shared many of the cult Cosina’s features (its biggest change was getting rid of the moving lens cover of the Cosina in favour of a simpler slider). It was a zone focus viewfinder camera, with four focus zones to choose from (0.8m, 1.5m, 3m and infinity) and an automatic setting (via a lever on the front left of the camera) that chose both shutter speed and aperture.

The LC-A’s 32/2.8 Minitar lens had an aperture range of f2.8 to 16, and its shutter speeds went from 1/500 to two seconds; more than enough to capture a shot in all but the most difficult lighting. Should photographers want a little more control, they could choose an aperture manually – but they would be restricted to a single shutter speed of 1/60. In reality, most snappers simply stuck the LC-A on ‘A’ and fired away.

The LC-A’s ability to keep the shutter open long enough in low light was one of its secret weapons. LC-A fans soon learn that shooting it handheld (the LC-A came with a tripod socket but no hole for a cable release in the shutter button) meant light sources would often become abstract trails. These were heightened by the lens’s tendency to boost contrast and vignetting, which could be further boosted by shooting cross-processed slides – Agfa’s original CT100 Precisa and Kodak’s Elite Chrome 100 soon became the standard for LC-A fans.

The LC-A further aligned itself as a night-time camera thanks to its qualities when used with a flash – the LC-A uses rear-curtain flash, rendering the background of a scene before the flash illuminates the front.

Original LC-As – sporting the name in Cyrillic letters and a tiny CCCP badge on the back – used the Soviet film rating system, GOST, which is close to but not exactly aligned to the West’s ASA/ISO rating (GOST 65 is roughly equivalent to 100 ISO). The highest GOST setting is 250, the equivalent to around 400 ISO.

There, were, however, various export models of the LC-A that used the Western alphabet and Western ISO settings aswell. Some of these were exported as the “Zenith Lomo”, perhaps to trade in on the Zenit brand name that was so well known in the UK.

Soviet-era LC-As still crop up reasonably often on eBay – and should you head east of Berlin on your travels, they’re still fairly common in cameras stores and flea markets. The major cause of failure is damage to the electronics – if these are on the blink, an LC-A is little more than a paperweight, as without batteries or a functioning exposure system, the camera’s shutter won’t open properly. Thankfully, the LC-A runs on three buttoncell LR44/SR44 batteries, which are cheap and plentiful.

Source: kosmofoto.com


Model

PK7350. The most common Lomo LC-A type to find nowadays. Export "LOMO" markings on the frontplate. International ASA settings. No otherwise different.

Source: sovietcams.com


Reference sites

camerapedia

kosmofoto.com

sovietcams.com


Manual

English manual


Batteries

3 LR44 batteries

Film


Pictures taken with this machine



Videos


domingo, 1 de abril de 2018

Zorki 4 (1956-1973) (segundo exemplar)

Zorki 4 (1956-1973) 
#0321
Esta fotografia é do exemplar que possuo.

Características


The Zorki-4 was the first of the Zorki cameras to be exported in mass to the west and beyond. Usually this camera came with a Industar-50 lens and in some cases with the Jupiter-8 lens. The first Zorki-4's were engraved, but this changed very quickly. Later versions of the 4 had painted on letters. Usually Zorki-4 has the cyrillic markings but it can also be found with roman letters.

Produced: 1956-1973
Name: „ЗОРКИЙ-4“
Producer: KMZ
Frame Size: 24X36.
Lens: Jupiter-8 2/50.
Shutter: 1-1/30S, 1/60S, 1/125S, 1/250S, 1/500S, 1/1000S + B.
Quantity: 1.715.677 UNITS.

Fonte: Sovietcams.com

he Zorki 4 was possibly the most popular of all Zorki cameras, with 1,715,677 cameras made by the KMZ factory in Krasnogorsk, Russia. The Zorki 4 was also the first of the Zorki cameras to be exported in large numbers to the west. It is a fully manual camera, and does not have a lightmeter. An additional lightmeter may be added by the hot shoe.

When the Zorki 4 rangefinder was introduced in 1956, its contemporaries included the Zorki S, Zorki 2S, FED 2b, Leica M3 (introduced two years before), Leica IIIg, Nikon S2, Canon VT, and Canon L1. The Zorki 4's production run outlasted all of them. When it morphed into the Zorki 4K by 1973, its contemporaries included the FED 4b, Leica M4 and M5, Nikon F2, and Canon F-1 and Canon Canonet QL 17 GIII.

The Zorki 4 is basically a Zorki 3S with a self timer. It retained all of the features and strong points of the 3S. The early bodies have a vulcanite body covering, engraved shutter speeds, and strap lugs. Later bodies have fabric covering and the shutter speeds (1/60 and 1/30 instead of 1/50 and 1/25) are silk-screened. By the mid-1960s, the strap lugs had disappeared.

Variants

The Zorki 4 came in 2 variants the original which uses a thumb wheel to advance to film and cock the shutter. The Zorki 4k included a wind lever for easier operation.

Operation

The Zorki 4 came in 2 variants the original which uses a thumb wheel to advance to film and cock the shutter. The Zorki 4k included a wind lever for easier operation.

Fonte: Wikipedia

Zorki-4 is a 35 mm rangefinder camera, manufactured by Krasnogorsky Mekhanichesky Zavod (KMZ) , (Красногорский механический завод = Mechanical Factory of Krasnogorsk), near Moscow, former USSR and produced between 1956-73, quantity 1715677. ЗОРКИЙ = Zorkiy, means Sharp Sight. Zorki-4 was possibly the most popular of all Zorki cameras. The Zorki-4 was also the first of the Zorki cameras to be exported in large numbers to the west.

When the Zorki-4 rangefinder was introduced in 1956, its contemporaries included the Zorki S, Zorki 2S, FED 2b, Leica M3 (introduced two years before), Leica IIIg, Nikon S2, Canon VT, Canon L1. The Zorki 4's production run outlasted all of them. When it morphed into the Zorki-4K by 1973, its contemporaries included the FED 4b, Leica M4 and M5, Nikon F2, and Canon F-1 and Canon Canonet QL 17 GIII.

The Zorki-4 is basically a Zorki-3S with a self-timer. It retained all of the features and strong points of the 3S. The early bodies have vulcanite body covering, engraved shutter speeds - 1s, 1/5, 1/10, 1/25, 1/50, 1/100, 1/250, 1/500, 1/1000 +B - and strap lugs. Later bodies (post ~1965) have fabric covering and the more modern base 2 logarithmic shutter speed progression: 1s, 1/2, 1/4, 1/8, 1/15, 1/30, 1/60, 1/125, 1/250, 1/500, 1/1000 and the figures are silk-screened. By the mid-sixties, the strap lugs had disappeared.

There are at least 32 types/versions of the Zoki-4 or as to Aidas Pikiotas there are 4 versions and 13 types.


Especificações

  • Lens: Zorki-4 was supplied with either a Jupiter-8 (ЮПИТЕР) 50mm f/2, or Industar-50 (ИНДУСТАР) 50mm f/3.5 lens; several other lenses were available. The lens is interchangeable, M39 screw mount
  • Focusing: Matching yellow rangefinder images in the finder, ring and scale on the lens, w/DOF scale
  • Shutter: Horizontal travelling focal plane, rubberized silk double cloth curtain, speeds: 1-1/1000 +B, setting dial on the top plate, lift and turn
  • Viewfinder: Coupled viewfinder/rangefinder, large and bright; Diopter adjustment lever: beneath the re-wind knob
  • Take-up spool: special, not captive, there is a small pin for attaching the film perforates on it
  • Engravings on the back of the top plate: KMZ logo and the serial number
  • Body: Metallic, cast aluminum; Weight: 687g
  • Serial no. first two digits correspond to the production year
  • As with other Soviet-era rangefinders, the shutter speed selector rotates when the shutter is released, and should not be changed until after the shutter has been cocked. If you change the shutter speed without cocking the shutter first, the setting pin can be broken when you advance the film and cock the shutter.
Fonte: Camerapedia


Modelo

PM1765

VERY INTERESTING VERSION WAS RELEASED IN 1962. NEW STYLE OF NAME MARKINGS, BUT STILL ENGRAVED (LATER THE SAME STYLE WAS USED WIDELY, BUT ALREADY SILKSCREENED). COMES WITH JUPITER-8 LENS, TRIPOD THREAD STILL 3/8''. AN EARLIEST SO FAR KNOWN CAMERA HAS S/N #62027115 (EBAY 2009). 

Fonte: Sovietcams.com

A minha tem o nº de série 62031746 (logo, produzida em 1962) e veio acompanhada de uma lente Jupiter-8 f/2 50mm.


Manual


Sites de referência

Photoethnography

quinta-feira, 14 de julho de 2016

Zenit 122 (1990-2003)

Zenit 122 (1990-2003)
#87
Esta fotografia é do exemplar que possuo.

Características

The Zenit 122 is a 35mm SLR made in Russia by KMZ, introduced in 1990 — one of a long series of Zenits. Lenses have the 42mm screw thread fitting; the standard lens was a 58mm f2 Helios.

Fonte: Camerapedia

The Zenit-122 (read Zenit-12-2) is an amateur SLR that evolved out of the Zenit-E through the Zenit-TTL and the Zenit-12. In essence it's the same camera, although in 35 years KMZ added a TTL light meter, clear viewfinder, design body and plastic controls.

The 122 comes complete with a Helios-44M-5 or -6, or a Helios-77M-4, all of which are of unimpressive mechanical quality (i.e. lightweight and all plastic). The 122's main merit is that it does the job reliably and cheaply, but without the frills.

Some derived models include the Zenit-122K (with K mount), the FS-122 (fotosnaiper), and the Zenit-122B (a stripped model).

Fonte: AlfredKlomp


Especificações

This Zenit model features an ABS plastic body and a TTL light meter, displaying on the right of the viewfinder as red LEDs, for over and under exposure, and a green one for correct settings. (The earliest versions had a system using two red LEDs.) The ground-glass focusing screen has microprism and split-image focus aids.

The focal plane shutter has speeds from 1/30 to 1/500 + В.

There is a self-timer, set by first locking down the shutter release, then setting a thumbwheel on the (photographer's) right-hand end of the camera, and then firing the timer using the button on the front, below the 122 marking; below that is the self-timer indicator.

Fonte: Camerapedia


Modelo

De acordo com o site Sovietcams, a minha é do modelo 3 e deverá ter sido fabricada em 1991. Possui o n.º de série 91071625.
Quando a comprei não trazia lente. Coloquei uma Helios 44-M  2/58, com o n.º de série 8327428.

Fonte: Sovietcams


Manual

Manual em inglês

Manual em inglês

Manual em português


Sítios de referência

AlfredKlomp

Camerapedia

Sovietcams


Filme


Kodak ColorPlus 200/36

Fotografias tiradas com esta máquina


Zenit 122 - exemplar 1
Zenit 122 - exemplar 2

Exemplar 3

Vídeos




domingo, 28 de fevereiro de 2016

BeLomo Vilia (1973-1986)

BeLomo Vilia (1973-1986)
Características

Vilia is a 35mm film viewfinder camera made by BelOMO and produced between 1973-86 with quantity of about 2.000.000 units. Вилия = Vilia is a river flowing through Belorussia and Lithuania.

Vilia is an elegant simple camera, looking a little bit like an improved Smena Symbol, but is in fact a completely independend design. The shutter is of leaf type, while the four leaf diaphragm has a nearly square opening – both are located just behind the lens. The lens is focused manually from 0.8 m to infinity, while symbols on the distance scale help to assess correct distance for given subjects (portrait, group portrait, group, landscape). Film is advanced with a lever located on camera's back, coupled with shutter cocking. The camera is equipped with a hot shoe for synchronizing a flash, as well as with a synch cable socket. The excellent viewfinder has bright lines with parallax marks as well weather symbols connected with aperture setting.
Vilia is equipped with symbolic system of exposure setting, similar in its idea to that used by Smena 8M or Smena Symbol. When the system is used, the shutter speed is preset according to film speed scale on its ring – from 1/30 s for 25 or 32 GOST/ASA to 1/250 s for 200 or 250 GOST/ASA[1], while the exposure is adjusted by changing the aperture from 4 (heavy clouds/rain) to 16 (bright sun). Weather symbols are visible at the bottom of the viewfinder only and are pointed by a small bright dot, depending of aperture setting.
A further developments of the Vilia, using the same body and lens, were the Vilia-Auto, this time equipped with automatic exposure setting based on a selenium meter, as well as Orion EE and Siluet Elektro with a CdS meter.

There are 4 types and 7 sub-types of the camera.

  • Lens:Triplet-69-3 (ТРИППЕТ) 40mm f/4, coated glass, filter thread 46mm ,
  • Aperture: up to f/16 setting: by a small lever below the lens
  • Focus range: 0.8- 8m +inf
  • Focusing: manual front cell focusing, symbols on the distance scale (portrait, group portrait, group, landscape) and DOF scale
  • Shutter: leaf type , speeds: 1/30-1/250 +B
  • Shutter release: on the shutter
  • Cable release socket: none
  • Cocking lever: also winds the film, short stroke, on the back of the camera
  • Frame counter: auto-reset, additive type, window on the bottom plate
  • Viewfinder: bright frame, w/ parallax correction lines
  • Re-wind lever: folding crank, on the top plate
  • Re-wind release: button on the bottom plate
  • Flash PC socket: on the left side of the camera
  • Hot-shoe
  • Memory dial : on the back of the top plate
  • Self-timer: none
  • Back cover: hinged, opens by a sliding latch on the left side of the camera
  • Tripod socket: ¼"
  • Strap lugs : none
  • Body: plastic; Weight: 357g
  • Serial no. on the bottom plate

Fonte: Camerapedia

Meet the BeLomo Vilia, a cheap, sweet looking camera with a surprisingly good lens.
The Vilia is a camera very similar to the Russian Smenas, but it was built in Belarus and it’s actually an individual design. It looks somewhat bulky and it’s certainly not the most compact or light weight camera out there, but still I find that it holds a charm of its own.
They must have made quite a few of these cameras because they’re still readily available – for little money! In my case shipping was more expensive than the actual camera.
The Vilia takes regular 35mm film. It’s equipped with a hot shoe for flash use. Unfortunately shutter cocking and film advance are coupled, so it doesn’t allow for multiple exposures.
Let’s now have a look at the camera’s heart – its lens. The Vilia uses a Triplet 4/40mm lens, and this lens is much better than expected. Actually, I’m surprised that such a crappy looking camera would come with such a nice lens. At 40mm it isn’t particularly wide and I find myself using the viewfinder more frequently than with my other cameras. Even at F4 the Triplet shows almost no vignetting and it’s exceedingly sharp. This only gets better as you stop down! So if you’re into dark corners and mysteriously blurred images, the Vilia is probably not the camera for you.
Choose a shutter speed of 1/30, 1/60, 1/125, or 1/250, and an aperture of F4, F5.6, F8, F11, or F16, and you’re good for almost any lighting situation. Aditionally, the Vilia offers a ‘B’ bulb setting for those looooong exposures.
here’s one more thing I’d like to mention: the viewfinder. As you look through, you’ll notice a series of weather symbols at the bottom. Each weather symbol stands for an aperture value and as you set your aperture, a white dot underneath the weather symbols indicates where you’re at accordingly. So if you set the aperture at F16, the dot will appear underneath the “very sunny” symbol in the viewfinder. This is not only cute, but actually quite handy in practical use.
So overall the BeLomo Vilia is a very capable camera at a very low price, and a true alternative to a Smena.

Fonte: Lomography


Modelo

A minha parece ser do tipo 4e (CT439):

Lens Triplet 69-3
minimum found number 6065320
maximum found number 6066282
Produced pieces Unknown
Rarity R1
Distinctive features of type
Without Quality label

Não tem o logotipo (quality label) no canto superior direito, vista de frente e possui o n.º de série 5265300, o que parece não coincidir com a descrição.

Fonte: Fotoua


Manual

Manual em inglês


Sítios de referência

Camerapedia
Fotoua
Lomography
Lomography (other)


Film
Fujicolor C200/24

Pictures taken with this machine
BeLomo Vilia sample 1

BeLomo Vilia sample 2

BeLomo Vilia sample 3

Vídeos




sábado, 19 de setembro de 2015

Zenit ET (1981-1993)

Zenit ET
Esta fotografia é do exemplar que possuo.

Características

Zenit ET is a 35mm film SLR camera manufactured by Vileiskiy Zavod Zenit, (Vileiskiy Plant Zenit), near Minsk, former USSR, produced between 1982-1993 with quantity 3.000.000. Зенит = Zenit means Zenith that is the point in the sky that appears directly above the observer in astronomy or may mean the highest point.

Zenit ET belongs to the long running series of Zenit cameras. Small numbers of early Zenits was produced by KMZ, in 1981-82.

Zenit ETs also exist without aperture automation and without a built-in meter. They offered various finish materials and colours like silver, black, or bronze. This camera is an attempt to modernize the Zenit EM. Initially it looked just like an EM with new lettering, with new designs on the dials. Some variants also lack strap lugs.

The cameras produced in Vileiskiy Plant Zenit of MMZ-BelOMO are a complete remake of the earlier Zenit ET. The shape and features remain the same, but more plastic parts are used, including the top cover, bottom plate, and film advance lever on some cameras. BelOMO also supplied the multicoated Helios 44-3 58mm preset lens for use with the ET models lacking aperture automation.

There were 3 types Zenit ET (KMZ) and 6 types with 11 sub-types of the Zenit ET (MMZ-BeLomo).

Fonte: Camerapedia

This is an attempt to modernize the "Zenit-EM". Initially there It looked just like an EM with new lettering, then there was a polycarbonate plastic top and is finished in black with new designs on the dials. The serial number is on the inside of the back door. Zenit ETs also exist without aperture automation. They were supplied with Helios 44-2 lens and are rare.

Produced: 1981-1991
Name: „Зенит-ET“
Producer: KMZ/BeLomo
Frame size: 24x36.
Lens: MC Helios-44M-4 2/58
Helios-44-2 2/58.
Shutter: 1/30s-1/500s + B.
Quantity: 61.069 units (KMZ).
±3.000.000 units (BeLomo)

Fonte: Fotoua


Modelo

A minha foi fabricada pela Belomo e possui uma lente MC Helios-44M-4 2/58.
O n.º de série do corpo é 9088670 e o da lente 90345807.


Manual em inglês

Sites de referência



Vídeos







quinta-feira, 10 de setembro de 2015

FED-2 Modelo D (1959-1968)

FED-2 Modelo D
Esta fotografia é do exemplar que possuo.
#30
Características

The FED-2 (ФЭД) is 35mm film rangefinder camera made by FED and produced between 1955-70 with the quantity of 1.632.600 units.

It is a new design that is quite different from the FED-1. It has a longer rangefinder base (67mm), a combined viewfinder and rangefinder window, adjustable diopter for the viewing window, a self-timer (later revisions), and a detachable back for film-loading.

Fed-2 was produced fairly long time and offered with many types and several different features, like the engravings, lenses, shutter speeds, self-timer etc.

There are 12 types and 17 sub-types of the camera

Fonte: Camerapedia

The FED-2 is a completely new design with many new features. It introduces a new body with solid stripes top and bottom and a removable back that locks onto the camera with 2 keys. This assembly is die cast and not machined and has shoulder strap lugs. The rangefinder assembly has also been completely redesigned. It is now a 67mm extra long base combined range finder and viewfinder. There is a pointed rangefinder cam with the rotation axis on the wind side. There is a diopter adjustment lever under the rewind knob. There is also a new shutter. 
   
Name: „ФЭД-2“
Producer: FED
Frame size: 24x36
Lens: Fed   3.5/50.
Shutter: 1/25s, 1/50s, 1/100s, 1/250s, 1/500s + B.

Quantity: ±1.632.600 units (all types).

Fonte: Sovietcams

Operation

To load the film, two locks in the base of the camera need to be turned. The entire back and bottom can then be removed as a single unit, allowing easy access to the film chamber. Standard 35mm film cassettes are used, with film being wound onto a removable take-up spool (the latter often becomes difficult to remove on older cameras). Winding the film cocks the shutter and forwards the frame-counter simultaneously. The FED 2 has a manual frame-counter located below the wind-on knob, which must be reset by hand when loading film.

Focusing

Matching yellow rangefinder images in the viewfinder, distance scale and ring on the lens, w/ DOF scale

Shutter

Rubberized silk double cloth curtain, horizontal focal plane, speeds: 1/30 - 1/500 +B, setting: dial on the top plate, turns when winding, lift and turn for setting
Shutter release: on the top plate, with a collar for re-wind release, w/ cable release socket
Cocking knob: also winds the film, on the right of the top plate
Frame counter: beneath the cocking knob, additive type, manual setting
After detaching the back, two screws on the underside of the camera allow you to adjust the spring tension and change the shutter speeds, which may have become slow over time. As with similar cameras, it's important to cock the shutter before operating the shutter speed dial. Failing to do so may harm the mechanism. When firing, this dial wil rotate. After recocking, the speed set will be indicated correctly again.

Lens

Industar-26m 50mm f/2.8 (ИНДУСТАР-26m), red engraving "П" means coated
Mount: M39 Screw mount, filter thread: 35mm
Lens release: simply un-screw
Aperture: f/2.8-f/22 setting: ring and dial on the lens
Focus range: 1-20m +inf.
The Fed takes 39mm screw lenses. The one shown above is a 5cm collapsible Fed lens. Lots of Feds come with Industar lenses. On the collapsible Fed lens, the aperture is set on the front and focusing is done with a lever near the body. The rangefinder is coupled to the lens. The field of view in the viewfinder is that of a 5cm lens. For other focal lengths, a separate turret viewfinder was placed on the accessory shoe.

Viewfinder

Coupled rangefinder/viewfinder, green glass, very clear
Diopter correction lever: beneath the re-wind knob

Other features

Re-wind knob: turns when winding, on the left of the top plate
Re-wind release: a milled colar around the shutter release, П = re-wind, C = wind
Flash PC socket: on front of the top plate, X sync 1/30
Cold-shoe
Memory dial : on the winding knob
Self-timer: activates with a small knob above the lever, on front of the camera
Back cover: removable with the bottom plate, opens by two levers on the bottom plate
Film loading: special take-up spool, removable
Tripod socket: old type, 3/8
Strap lugs
Body: metal, Weight: 620g

Fonte: Camerapedia


Modelo

FED-2 (D)  1959-1968  
 
Camera identical to Fed-2 (C), but with new, standardized speed sequence: 1/30s, 1/60s, 1/125s, 1/250s, 1/500s + B. Although an earliest Fed-2 (D) cameras still came with low accessory shoe, it was raised on later cameras. Fed-2 (D) can be found with/without decorative rim around viewfinder. Single or double name writing. Some cameras have "Made in USSR" markings on the top plate. Body may be covered in various (black, green, red or blue) paints.

Serial Numbers Range: #989000-#6835000.

A minha é do modelo PE0470.

Camera identical to PE0465, but without decorative rim on the viewinder's window already. An earliest so far known camera is #1248.672 (source: UssrPhoto).

Serial numbers range: #1248.500-#2320.000

Quantity: appr. 71.500 units. Some serial numbers are mixed with PE0465.

O n.º de série da minha é o 2299844, o que a situa no final deste ciclo de produção (1967? 1968?)

Fonte: Sovietcams


Manual em Inglês

Cameramanuals.org

MattsClassicCameras

Sites de referência

Camerapedia
Sovietcams
jay.fedka.com
Russianplaza.com

Vídeos







Amostras

As seguintes fotografias foram efetuadas com a minha máquina




sexta-feira, 6 de março de 2015

Zenit E (Moscow Olympic Games 1980 - type 1)

Zenit E (Moscow Olympic Games)

Características

The Zenit E is a very common Russian SLR camera from the 1970‘s. While some early examples of the Zenit E had the M39 mount, the majority had the much more common M42 one. This opened the camera up to a vast number of non russian/soviet lenses.

Produced: 1965-1986
Name: „Зенит-E“
Producer: KMZ/BeLomo
Frame size: 24x36.
Lens: Industar-50-2  3.5/50 (a minha tem esta lente)
         Helios-44-2  2/58
Shutter: 1/30s-1/500s + B.

Quantity: more than 3 millions units.

Fonte: Sovietcams

Zenit-E is a 35mm film SLR made by KMZ and produced between 1965-82 with quantity of 3.334.540 units. Зенит = Zenit means Zenith, a point in the sky that appears directly above the observer.
The main differences from Zenit 3M is added light meter, mechanism of mirror and cocking lever were changed. The Zenit E does not have aperture automation, and therefore must be used with manual diaphragm/preset lenses or auto diaphragm lenses with an auto/manual switch.
There are many types during its production period.
The Zenit range was quite popular since it was priced moderately and it was offered under several other trademarks or brands as Kalimar, Revueflex, Prinzflex, Photokina, Spiraflex, Cosmorex.

Lens: Helios-44-2 58mm f/2, M42 screw mount, filter thread: 41mm
This is the standard lens, the other standard lens was Industar-50-2 3.5/50
The lens mount was KMZ M39 screw type before 1967 (although it is possible to find M39 within the 1968 models).
Lens release: simply turn to anti-clockwise
Aperture: up to f/16
Focus range: 0.5-20m +inf
Focusing: Fresnel matte glass screen; ring, distance scale and DOF scale on the lens
Shutter: Horizontally traveling, cloth focal-plane shutter, speeds 1/30 - 1/500 +B,
Shutter release: on the winding knob, w/cable release socket. For long exposure in B mode, the shutter release will lock down when pressed and turned ccw.
Cocking lever: also winds the film, long stroke, on the right of the top plate
Frame counter: on the winding knob, additive type, manual reset
Viewfinder: SLR pentaprism
Exposure meter: Selenium cell meter
Film speed range: ASA 16-500 setting: dial on the exposure setting ring, left of the top plate
Exposure setting: Match the needles in the window by turning the setting ring, then read out the speed and aperture
Re-wind knob: on the center of the exposure setting dial, press and turn, it will pop-up
Re-wind release: a small knob beside the cocking lever
Flash PC socket: on front of the top-plate, X sync 1/30
Cold-shoe
Self-timer: activates by pressing the small button above the lever
Back cover: hinged, opens by a latch on the left side of the camera
Engraving on the bottom plate: Made in USSR and KMZ logo
Tripod socket: ¼"
Strap lugs: none
Body: metal; Weight: 916g
Serial no. first two digits show the production year, on the back of the top plate

Fonte: Camerapedia

A minha é de 1978 (número de série 78174521)
A lente da minha é de 1978 (número de série 7840996)


Modelo

A minha é comemorativa do Jogos Olímpicos de Moscovo - 1980


Manual

Manual em Inglês


Sites de referência

Camerapedia

TomTiger (ver especialmente Zenit Repair Project)

Sovietcams


Vídeos










sexta-feira, 23 de janeiro de 2015

Lomo Smena 8M (1977)

Lomo Smena 8M (1977)
Esta fotografia é do exemplar que possuo.
#0003
Características


Lens: LOMO (ЛОМО) T-43 (Triplet) 40mm f/4 filter slip-on
Aperture: f/4-f/16 setting: ring and scale on front of the lens
Focus range: 1-8m +inf
Focusing: manual front element focusing, guess the distance or use the symbols on the scale
Shutter: spring leaf shutter, speeds: 1/15-1/250 +B setting: ring and double scale on the lens shutter barrel, you can use either the symbols or numeric scales
Shutter release: on the top plate w/cable release socket
Cocking lever: on the lens-shutter barrel
Winding knob: on the back of the top plate, double exposure preventing
Frame counter: on the back of the top plate, manual setting with a thumb wheel, not works wo/ a film in the camera
Viewfinder: reverse telescopic finder
Re-windknob: on the top plate
Re-wind release: pull-up the re-wind knob
Flash PC socket: on the lens-shutter barrel
Cold-shoe
Back cover: hinged
Tripod socket: 1/4"
Body: plastic; Weight: 261g
Serial no. on the bottom plate, the first two digits show the production year
There are 5 types and 9 subtypes of the Smena-8M.

Fonte: Camerapedia


Modelo

A minha é uma modelo 4b e tem o número de série 77784892. Portanto, é de 1977.

Factory GOMZ (LOMO)

lens T-43
the type made from 1974 to 1989
example of number
minimum found number 74791460
maximum found number 89447489
Produced pieces Unknown
Rarity R1

Distinctive features of type

Double inscription Smena-8m;
Serial number on the bottom and with first two figures of year;
knob of lock of rear cover is plastic;
Screw for tripod with metal;
Fonte: Fotoua


Manuais





Sites de referência












Amostras

As seguintes fotografias foram efetuadas com a minha máquina

Lomo Smena 8M exemplo 1

Lomo Smena 8M exemplo 2

Lomo Smena 8M exemplo 3

sábado, 10 de janeiro de 2015

Lomo Cosmic 35 (1963)

Lomo Cosmic 35 (1963)
Esta fotografia é do exemplar que possuo.
#0002
Características
  • This model (Smena 8) is similar with Smena-6 , but added film rewind, possible to use just one cassette with take-up spool and blocking system
  • Pop-up rewind knob
  • Shutter: speeds 1/15-1/250 +B w/synchronizer
  • Lens: T-43 (Triplet) 40mm f/4
  • Aperture: f/4-f/16
  • Hot-shoe
  • Self-timer
  • Body: plastic
  • The export types were named as Cosmic-35 and Global-35
Fonte: Camerapedia


Modelo
  • Camera made from 1963 to 1971
  • Produced pieces: Unknown
Fonte: Fotoua

A minha é uma Pk2705. - Camera under uncommon export name "Cosmic 35" (for United Kingdom market). Changed nameplate design with "Lomo" logotype on the lens. "Made in USSR" markings on the shutter housing, below the serial number. Tripod thread - 1/4''. 
Fonte: Sovietcams

N.º de série na lente: 223302

Manuais







Amostras

As seguintes fotografias foram efetuadas com a minha máquina

Lomo Cosmic 35 - exemplo 1

Lomo Cosmic 35 - exemplo 2

Lomo Cosmic 35 - exemplo 3

Lomo Cosmic 35 - exemplo 4

terça-feira, 30 de dezembro de 2014

Lomo Smena Symbol (1973-1993)

Lomo Smena Symbol (1973-1993)
#0001
Esta fotografia é do exemplar que possuo.

Smena Symbol (Смена Символ) is a viewfinder 35mm film camera made by LOMO and produced between 1970-93. Smena Symbol = Смена Символ, Smena means Young Generation or Relay.

There are 8 types and 3 sub-types of the Smena-Symbol. Export types were named as Revue 135 Symbol, Panorama, and Cosmic Symbol.
Características
  • Lens:LOMO (ЛОМО) T-43 (Triplet) 40mm f/4 filter slip-on (Modernized cameras that were produced later with fast black surface "Industar-73" 40mm f/2.8 lens)
  • Aperture: f/4-f/16
  • Focus range: 1-10m +inf
  • Focusing: manual, guess the distance or use symbols on the scale
  • Shutter: leaf shutter, speeds: 1/15-1/250 +B w/synchronizer
  • Setting: ring and double scale on the lens shutter barrel, you can use either the symbols or numeric scales
  • Shutter release: on the lens-shutter barrel w/cable release socket
  • Cocking lever: also winds the film, on the back of the front plate
  • Frame counter: auto-reset, advance type, window on the back of the top plate
  • Viewfinder: reverse telescopic finder, reduced size displaced to allow a rewind crank
  • Film speed memo on camera back
  • Hot-shoe
  • Body: plastic

Serial no. on the bottom plate, the first two digits show the production year.

Fonte: camerapedia


Modelo

Fabricadas 4.181.469 unidades (Fonte: Sovietcams). Segundo este site, a minha é uma PK3735.
A minha tem o n.º de série 82457503, logo, é de 1982.


Manuais

Manual em Inglês

Manual em Castelhano


Sites de referência

Camera Wiky Smena Symbol
camerapedia

Amostras

As seguintes fotografias foram efetuadas com a minha máquina

Lomo Smena Symbol exemplo 1

Lomo Smena Symbol exemplo 2
Vídeos