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Mostrar mensagens com a etiqueta USA. Mostrar todas as mensagens

domingo, 17 de janeiro de 2021

No.1 Pocket Kodak (1926-1932)

No.1 Pocket Kodak (1926-1932)

#450
This photo is from the copy I own

History and technical features 

The No.1 Pocket Kodak is designed to take Kodak’s then-popular but ultimately short-lived autographic film which allows you to use the camera’s metal stylus (which is usually found attached to the brackets just next to the shutter lever but is missing from mine) to record information about the photograph you just took by opening the squat T-shaped window on the rear panel of the camera and writing directly onto the margin of the negative via carbon transfer paper. Regular 120 film also works, of course.

Source: vintagecameralab.com

The Kodak No. 1 Pocket Autographic was produced in 1926.  There are a few different variants of the same model of the camera that year depending on where it was sold, but the main differences were limited to slightly different front plates.

This wonderfully ornate folding art deco styled camera shoots 6×9 photos on 120 film.  Originally designed for the Autographic film, it is great in that it was in a size currently still produced.  The whole camera folds into a flat shape which would have fit into a large overcoat pocket, thus its name, which is achieved by using bellows to extend the lens.

It has an achromatic meniscus lens with four aperture settings marked 1,2,3 and 4. Not initially clear what they relate to in real aperture values but I measured it by comparing to another lens and it seems to be roughly f/4 (looks slightly bigger), f/5.6, f/8, and f/11.  The shutter is a Kodex in-lens and has four speed settings; 1/50, 1/25, Bulb and Time.

The viewfinder is on a hinge and can be positioned for both portrait and landscape modes.  Focus is achieved through a worm screw which you wind on the right-hand side, it has markings for both metres and feet.  It is an estimation of-course.  The lid has a great art deco styled kick stand and one of the two tripod sockets.  The other socket is near the right hand side at the bottom of the camera in landscape orientation.

Loading film into the camera required removing the main body of the camera from the outer shell and is then a matter of putting the film spool on one side and the take up spool on the side with the half circle wind-on key.  Once the camera is back into the shell, you wind on until you see the numbers in the little red window.  There is no double exposure lock, or automatic winding positioning, you need to line up the number of next frame manually.

Of-course one of the key features of the camera is the Autographic facility.  Firstly, there is a window at the back, positioned perfectly to have the writing come out on the frame of the picture.  Then there is beautifully decorated stylus, which usually sits on the side of the lens when not in use.


The No. 1 Pocket Kodak was made in USA from 1926 to 1932 (in UK from 1929-1933)[1] and took 6×9cm exposures on 120 rollfilm.



Specifications

The camera uses a achromatic meniscus lens with a maximum aperture of f/6.3 and a Kodex shutter with four speeds: time, bulb, 1/25, and 1/50. A rotating waist-level viewfinder can be found diagonal from the lens and focusing is achieved via worm screw on the user’s right side of the front panel with a focus distance scale on the left. The Pocket Kodak also features two tripod sockets: one just behind the worm screw for portraits and one on other side of the winding key for landscapes.

Source: vintagecameralab.com

In USA in 1929-31 as well as black it came in four colors: blue, brown, grey and green. These have the Kodar f7.9 111mm lens in a Kodex shutter.
All have the Autographic feature. Other lenses were the Kodak Anastigmat f6.3 and Kodak Anastigmat f7.7.

Source: camera-wiki.org


Model

Serial number 27449


Reference sites

camera-wiki.org

photothinking.com



Film

120 film

Pictures taken with this machine


Videos

sexta-feira, 22 de novembro de 2019

Polaroid Automatic 320 Land Camera (1969-1971)

Polaroid Automatic 320 Land Camera

#438
This photo is from the copy I own

History and technical features 

The Polaroid Automatic 320 is an instant pack film folding rangefinder camera produced by Polaroid.  It was manufactured between 1969-1971, and is part of the 100-400 Land Camera series.  The Polaroid Automatic 320 has several features that were standard on all models in the 100-400 series.  Those features include a folding bellows, automatic exposure and the use of 100 series pack film.  The Automatic 320 was also the lowest priced folding pack film camera produced, as it was Polaroid's goal to make the camera affordable for any budget.  Polaroid was able to reduce costs by offering the camera with a plastic body and lens housing.   This worked as an advantage, as the Automatic 320 was more lightweight and easier for travel.

Source: keh.com


Specifications

The Polaroid Automatic 320 features a two element plastic 114mm f8.8 lens.  It also has automatic exposure capabilities with an external electric eye light meter beside the lens.  The camera has a parallax viewfinder with a distance estimator in the eyepiece, and a separate rangefinder focus window.  The Automatic 320 has film speed settings of 75 ASA, or 3000 ASA.   The camera also features a light/dark control for exposure compensation.  The Automatic 320 uses 100 series pack film (FujiFilm's FP-100C is readily available today).

Source: keh.com


Model


Reference sites

keh.com

Manual

English manual


Batteries
A132 3V battery

Film
Fujifilm FP-100c

Pictures taken with this machine



Videos






sábado, 19 de outubro de 2019

Polaroid Spectra 1200FF (~1985)

Polaroid Spectra 1200FF (~1985)
#436
This photo is from the copy I own

History and technical features 

Polaroid introduced the Spectra system of cameras in the early 1980s. It was an all-new line of cameras, and had a corresponding new film. Spectra film (called 'Image' outside of North America) is different from 600 integral film in that it has a different image format: a rectangular 9.2 x 7.3cm rather than 600 film's square format. Spectra film is otherwise identical to 600 film - ISO speed, development method and operation remain identical. The Spectra range of cameras also sport better lenses on average than the 600-film range, with most of the models utilising an arc-shaped range of focusing lenses inside the body that swing across the exterior lens element to provide correct focusing, rather than adjusting the distance between internal lens elements. Spectra cameras are thought to take higher-quality pictures than a conventional 600 Polaroid camera, due to the camera's higher build quality and a proportionally larger print area.
Spectra film initially came with 10 shots per pack, but this was increased to 12 in most markets. Spectra film is also known as 1200 or Image film in some markets, and there are high definition and grid-marked versions available, as with 600 film.
All Spectra models except the Macro SLRs and the ProCam feature 125mm lenses, giving a field of view equivalent to 46mm on a 35mm film camera.

Source: camera-wiki.org


Specifications

Different folding mechanism to other Spectra models, featuring folding plastic bellows. The camera front is hinged at the bottom and opens vertically; similar in principle to a single-hinged SX-70 model though this is not an SLR camera. A black model known as the Spectra Blitz was marketed by the Lomography Society, but that model does not fold down.

Wider lens (100mm f/11.5, 2-element aspherical plastic).
Fixed-focus, but has built-in close-up lens for shots down to 60cm. A warning/reminder light appears near the viewfinder when the close-up lens has been selected.
Auto-flash with no ability to force on or off.
Built-in metal lens cover automatically slides over the lens when the camera is folded.
No tripod socket.
No Lighten/Darken control or other means of exposure compensation.
Shoots up to 12 exposures using the final generation of Spectra/Image 1200 film.

Source: camera-wiki.org


Model

Code inside: BBQABPJ5BPA

Reference sites

camera-wiki.org

Manual

English manual


Film
Spectra Film


Pictures taken with this machine



Videos



sábado, 8 de dezembro de 2018

Polaroid EE33 (1976-1977)

Polaroid EE33 (1976-1977)
#394
This photo is from the copy I own

History and technical features 


Source:

Specifications

Name : EE33
Brand : Polaroid®
Type : Type 80 film
Production years : 1976-1977
Lens : N/C
Shutter : N/C
Speeds : N/C
Aperture : f/9.2
Type of focus : N/C
ISO : N/C
Rarity : N/C
Description : N/C

Source: polaroid-passion


Model


Reference sites

polaroid-passion


Manual


Film
Polaroid Type 80 film

Pictures taken with this machine



Videos

sábado, 3 de novembro de 2018

Kodak Vest Pocket Autographic (1915-1926)

Kodak Vest Pocket Autographic (1915-1926)
#389
This photo is from the copy I own

History and technical features 

The Vest Pocket Kodak cameras were a best-selling folding camera series made by Eastman Kodak (Rochester), from 1912 to 1935. They were the first cameras to use the smaller 127 film reels. "Hawk-Eye" versions of the Vest Pocket Kodaks were premium models, and the "Special" models had more sophisticated lens/shutter combinations. A special Vest Pocket wooden development tank for the typIe 127 rollfilm was available from Kodak, as well as a special Vest Pocket enlarging camera.

Vest Pocket Autographic Kodak (1915-1926)

The Vest Pocket Autographic Kodak was the version advertised in the U.S.A. as the "Soldier's camera" during World War I. It was very successful, selling 1,750,000 units. It was of the compact strut folding type and had the meniscus lens or a U.S.-speed 8 Rapid Rectilinear lens.

The camera back had an area through which notes could be written onto the paper backing of the 127 film, the "autographic" feature - invented by Henry J. Gaisman.

Source: camera-wiki.org

t was made by Eastman Kodak Company, Rochester N.Y., U.S.A., from 1912 to 1926.
They sold about 1.750.000 units.
The VPK was the first camera to use 127 film.
This name it's self explanatory, it was a camera that could be carried in a vest pocket. In fact it isn't much bigger than many of the compact digital of today.
This was the successor of the long praised collapsible large Kodak cameras.
It's success was due to the small size and price. They sold for $6.
This price was possible due to it's simpler construction, instead of  wood, metal, leather... of the older and bigger models the VPK was made of an aluminium alloy fastened with rivets. What explains why there are still so many, in very good condition, today.

The first models didn't had the autographic feature and were painted in smooth black.
The autographic model was launched in 1915 with a black crackled finish, also called Japan crystal.
There was some special models with better, some focusing, lenses, like the Rapid Rectilinear by Baush & Lomb, the Cooke triplet, Zeiss Tessar and the rare Lacour-Berthiot Olor. Also different shutters and, some of these special models, were covered in leather.

As it was a very portable camera, there was a lot of WWI soldiers who took them to the trenches, what was strictly prohibited. That gave it the nickname "Soldier's camera".

Charles Lindberg used to carry one with him in his adventurous flights.

George Mallory, maybe the first person to reach the Everest summit, had one with him when he and Andrew Irving headed to the last part of the ascent. Both died, the body of Mallory and most of the personal effects were found, Irving's body and the camera were never recovered, in it could be the proof of their feat.



Specifications

Single meniscus lens about 75mm 1:11
Three blades, Kodak ball bearing shutter, 1/25, 1/50 B and T
Fixed focus ~1.8m to infinity
8, 4x7cm, exposures on 127 film
Folding bellows in trellis struts
Autographic window and stylus
Size and weight: 67x121x30mm, 316g

Source: camarasclassicas.blogspot.com


Model

Serial number 1815124


Reference sites

camarasclassicas.blogspot.com

camera-wiki.org


Manual

English manual


Film


Pictures taken with this machine



Videos


quarta-feira, 25 de julho de 2018

Kodak Ektra 200 (1980-1987)

Kodak Ektra 200 (1980-1987)
#377
This photo is from the copy I own

History and technical features 


The Kodak Ektra 200 is among many 110 film cameras made by Kodak. It used disposable flip-flash for indoor photography, was made in (West) Germany, and was produced from 1980 to 1987.

110 film is still available, but flip-flash is not.

Source: camera-wiki.org


Specifications

Name    : Kodak Ektra 200
Produced between     : 1980 - 1987
Lens     : 22mm, f/11 Kodar
Shutter     : 3 speed
Film type     : 110 Cartridge
Picture size     : 13 x 17 mm

Source: kodak.3106.net

Model


Reference sites

camera-wiki.org


Manual


Film


Pictures taken with this machine



Videos


quarta-feira, 27 de junho de 2018

Falcon Minicam Junior (1938)

Falcon Minicam Junior (1938)
#364
This photo is from the copy I own

History and technical features 

The Falcon Minicam Junior 127 film camera was made in New York by the Utility Manufacturing Company. The name "minicam" had at this time became a popular term for any smaller, eye-level viewfinder camera—for example the Argus A.

The Minicam Junior is an example of a Falcon model name re-used after Utility Mfg. was purchased by Spartus, of Chicago, Illinois.

Source: camera-wiki.org

The Falcon Minicam Junior camera was sold by the Utility Manufacturing Company of Chicago Illinois, in circa 1938. This was an inexpensive candid type camera constructed of bakelite with a decorative metal faceplate similar to other models produced in the 1940s by the Chicago camera companies group. It was fitted with a minivar meniscus 50mm lens and instantaneous & time shutter. This camera was capable of capturing sixteen 1 5/8 x 1 14/ inch or half frame exposures (3 x 4 cm) on number 127 or A8 roll film. This small camera sold for approximately $2.29 in 1940.

Source: historiccamera.com


Specifications

127 film

50mm lens

Made in USA

Source:


Model


Reference sites

camera-wiki.org


Manual


Film


Pictures taken with this machine



Videos

domingo, 4 de fevereiro de 2018

Kodak Instamatic 104 (1963)

Kodak Instamatic 104 (1963)
#293
Esta fotografia é do exemplar que possuo

Características

Kodak's greatest success in camera history was the Instamatic camera series for its 126 film cartridge. Sixty million such cameras were sold by Kodak alone, mostly in the 1960s and 1970s. And of course the simplest models of the series were probably the ones which boosted Kodak's sales statistics the most. The 104 featured a connector for the new flashcube, instead of the Instamatic 100's holder for single flashbulbs. When cocked for the next exposure, the camera turns the flashcube 90 degrees to bring the next flashbulb into position. The cube can be detached by pressing the button on the front of the camera.

The camera was produced by Eastman Kodak Co. in the U.S., and also by Kodak's overseas plants, for example Kodak AG in Germany, Kodak Ltd. in England, and even by a Kodak plant in Australia. The Kodak Instamatic was the first ever portable nipple.

Fonte: Camerapedia


Especificações

Type: viewfinder film camera
Manufacturer: Kodak
Year of launch: 1963
Film: 126 film cartridge
Lens: 1:11/43mm
Shutter: mechanical leaf, with speeds of 1/90 sec. and (with flashcube attached) 1/40 sec.
Price in 1963: $15.95

Fonte: Camerapedia

2 AAA batteries


Modelo


Sítios de referência

Camerapedia


Manual


Baterias

2 AAA batteries

Filme


Fotografias tiradas com esta máquina


Vídeos





terça-feira, 5 de setembro de 2017

Kodak EK2 (1977-1978)

Kodak EK2 (1977-1978)
#224
Esta fotografia é do exemplar que possuo

Características

The Kodak EK2 is a instant camera produced in 1977. It is also known as The Handle in some markets. It is a curious looking camera. The view finder is above the carrying handle that is built into the flat camera body. It features a lightening and darkening dial around the protruding lens as well as a battery test feature. It used Kodak PR10 / PR 144 instant film and featured a hand crank to push the film through the rollers for development. A similar promotional version was also available as the Kodak Happy Times (Coca-Cola) Camera.

Fonte: camera-wiki.org


Especificações

Manufacturer: Kodak
Production Dates: 1977 - 1978
Film: Kodak PR10
Lens: 100mm f/18
Shutter: 1/15sec. to 1/300 sec.

Fonte: camerapedia


Modelo


Sítios de referência

camera-wiki.org


Manual

Manual em inglês


Baterias
1 size J battery (7k67)


Filme
Kodak Instant Print Film

Fotografias tiradas com esta máquina


Vídeos



terça-feira, 22 de agosto de 2017

Regal Miniature

Regal Miniature
#218
Esta fotografia é do exemplar que possuo

Características

Those who appreciate and collect vintage bakelite cameras frequently make two curious discoveries: First, a surprising number of simple plastic cameras seem to have originated from Chicago, Illinois, USA. And second, when compared closely, a number of these models (ostensibly coming from different manufacturers) have body styles which look practically identical.
In fact, several of these brand names can be linked directly to one particular address: 711–715 West Lake St., Chicago, as noted in period advertisements or the manuals included with cameras. But even where the address is unknown, it seems quite clear that many of the Chicago camera models emerged from exactly the same set of molds, casting doubt on the supposed separate identities of their makers.
Camera-wiki.org has listed several of these "companies" on their own pages. But this article is an effort to consolidate this bewildering swarm of brand and model names into a single page: and to cross-reference body styles with alleged company names, using examples that have been observed on Flickr, eBay and elsewhere. In all cases, these are simple "snapshot" cameras, with the greatest variety being the many models for 127 film in the eye-level "minicam" style which pays homage to the successful 35mm Argus A.
Many questions still require further research, but a few facts seem clear. Utility Manufacturing Co. originated several bakelite camera models under its brand Falcon in the 1930s. Utility gave its address as 40 West 25th St., New York City[1]. But certain camera models that were unquestionably made by Utility also appeared under other "company" names, the start of a practice that would explode in later years.
Already in 1940, cameras were being sold from 711 W. Lake Street, Chicago[2] by Monarck/Monarch (choose your spelling; the company used both). Many Monarch models have also been observed branded with names of other "manufacturers." Furthermore, by around 1946[3], Falcon models were reappearing branded as Spartus—or, if even still under the Utility/Falcon name, now marked as made in Chicago[4]—with the Spartus home address given as 711 (or 715) W. Lake Street. Confusingly, some early advertisements give Spencer as the company name behind Spartus brand cameras[5].
Spartus Corp. was a successful Chicago manufacturer of clocks and razors. It was owned by Jack Galter, onetime jazz drummer and serial entrepreneur. Beginning around 1939 he obtained several camera-related patents: One design patent is unmistakably that seen on numerous Chicago minicams (such as the Photo Master illustrated at right)[6]. The camera illustrated in another patent looks strikingly like the Monarck 127-film pseudo TLRs[7], while another is certainly the Falcon Rocket[8]. A Galter Products Co. also operated from 715 W. Lake St.—including clocks and cameras in its offerings. In later years, Jack Galter accumulated significant real estate holdings, and became a major Chicago-area philanthropist.
At some time in the early 1950s, Spartus was sold to Harold Rubin, who gave it the name Herold Products Company, Inc., but continued using the Spartus brand on clocks and cameras[9]. And to tie this all into an impossible tangle, there is at least one printed manual for the Spartus Full-Vue which shows "Herold Manufacturing Co., not Incorporated" as the company, 715 W. Lake as the address, whose cover shows a camera which is plainly labeled Galter Products under its taking lens[10].
In the mid-1950s Herold Products listed a different address, 2110 W. Walnut, Chicago[9]. And some of its later models are designs unique to them, ones which do not appear under other brands (for example the Spartus Co-Flash). By the 1960s Herold Products had reverted to Spartus as the company name, and it continued its clock production for many years (with later models showing Louisville, Mississippi as the company address).
It cannot be conclusively shown[11] that all the camera brands listed here are products of the Falcon/Spartus/Herold group. Metropolitan Industries seems to have the most probable claim of true independent existence, with several unique models. But even they have suggestive overlaps with the Galter/Spartus brands (e.g. the "Cinex" name and the Clix De Luxe body style).
The appearance of the Chicago cameras under a plethora of different names was facilitated by printing all the camera's identifying branding onto a single circular "donut" plate which was held to the front of the lens barrel by two screws. It is possible that the circular lens-shutter assemblies seen on so many of these cameras (with an instant/time selector at approximately the 4 o'clock position) were themselves provided by another subcontractor, and simply "bolted on" to molded bodies from different shops.
The motivations for creating so many quasi-fictional brands can only be guessed at. Perhaps it was to offer certain distributors a brand that was exclusively theirs. Perhaps it was to avoid negative word-of-mouth over what were, after all, very basic cameras with rudimentary optics. In any case, the same approach would one day be adopted by Hong Kong's manufacturers of cheapie cameras, giving us the many names of the Diana or the Bedfordflex.
Many of the cameras here are designed to use 127 film, but in "half frames." This was an economy measure first seen in depression-era cameras. The backing paper of 127 film has rows of frame numbers printed onto it; these align with red frame-counting windows on the back of the camera. But rather than exposing eight standard frames per roll, many of the "minicams" here would split each frame in half: Every frame number would be advanced first to one, then to the other red window. This yielded 16 exposures per roll (although it made the orientation of the rectangular frame vertical rather than horizontal). The resulting frame size is roughly 3×4 cm.

Fonte: camera-wiki.org


Especificações

127 film

bakelite


Modelo


Sítios de referência

camera-wiki.org


Manual


Filme


Fotografias tiradas com esta máquina


Vídeos

quarta-feira, 16 de agosto de 2017

Kodak Disc 4000 (1982-1984)

Kodak Disc 4000 (1982-1984)
#215
Esta fotografia é do exemplar que possuo

Características

This is the "Kodak Disc 4000 Camera". It is a Disc film type camera that was produced by Kodak from 1982 to 1984 as part of their ill-fated Disc format. This camera would have retailed brand new for about $60 to $70.00 USD.

This is an example of one of the more higher-end/fancier models of Disc cameras produced by Kodak during the 1980s. Like all Disc cameras produced by Kodak, the fixed focus, auto-exposure and automatic film advance were standard. However, what makes this model unique is that it features a built-in light sensor which serves to automatically fire the flash, as well adjust the shutter speed and aperture in regards to lighting conditions. Probably the most interesting feature to note about this camera is the built-in lithium battery. Unlike standard Disc cameras which instead used standard AA or AAA batteries. At the time lithium was considered a very new battery technology.

Surprisingly the built-in lithium battery on this particular specimen still works, which is not uncommon for these cameras. When the protective lens cover is slid back a faint charging sound can be heard. When the shutter button located on the front of the camera is pressed the flash will fire, which is then immediately followed by the sound of the motor for the advance mechanism.

Fonte: antique_camera_guy

Here’s a blast from the past, remember the Kodak Disc 4000 camera? It might look like a digital camera with such a thin and small but this is indeed a film camera. Rather than taking rolls of film this Kodak camera used film discs with 15 8x10mm negatives arranged around a circle.

Kodak first introduced its Disc 4000 camera in 1982 in response to the popularity of other cartridge formats like 110 film. Along with the compact body, the Kodak disc camera featured an aspherical 12.5mm f2.8 lens and initially came to market with a $66 price tag.

Unfortunately, the film disc’s 8x10mm negatives proved to be too small to resolve a sharp image. Just two years later Kodak ended the production of Disc 4000 camera in 1989. Interestingly enough, disc film’s lifespan stretched well beyond the existence of all disc film cameras and Kodak continued producing the format until 1998. Click past the break to see an old school Kodak ad for the Disc 4000 camera in its full sepia glory.

Fonte: the phoglographer


Especificações

he Kodak Disc 4000 was one of Kodak's cameras for its own disc miniature film format.

Type: compact fixfocus camera
Manufacturer: Kodak
Produced between: 1982-1984
Films: Kodak disc film (fifteen 8×10.5mm exposures)
Lens: 1:2.8/12.5 mm
Flash: built-in
Original pice: $66.00

Fonte: camerapedia


Modelo


Sítios de referência

antique_camera_guy

camerapedia

the phoglographer


Manual


Filme


Fotografias tiradas com esta máquina


Vídeos



sábado, 29 de julho de 2017

Argus C3 (1938-1966)

Argus C3 (1938-1966)
#208
Esta fotografia é do exemplar que possuo

Características

The Argus C3 rangefinder camera was introduced by Argus in 1939. It was a minor revision of the Argus C2, adding flash sync sockets to the side of the camera. However this model became Argus's runaway success story, staying in production through 1966 with only minor changes. Fondly known as "the Brick," the camera brought 35mm rangefinder photography down to a price affordable by amateurs who could not dream of owning a Leica or Contax.

Fonte: Camera-wiki.org

This camera was designed by Gustave Fassin, a Belgian optics designer moved to the US in the 1920s. He worked for Kodak and Bausch & Lomb in Rochester. He started working for Charles A. Verschoor, president of the International Radio Corporation (later known as International Research Corporation and later Argus). In 1936 he designed the Argus A, Argus' first photographic camera and first sales success. Later, Fassin designed the Argus C as well as an enlarger, a printing easel and a slide projector.

Gustave Fassin made such a good design that the C-series cameras remained almost unchanged during their entire lifespan. It should have been quite shocking to find a prewar designed camera in the retail stores of the mid-1960s. Camera technology changed a lot in the 1960s, but the Argus C3 kept being the same camera. In fact, it was covered by a lifetime guarantee! They did know how to make cameras, didn't they?
Later Argus cameras were improved with brightline viewfinders (Argus 21) or combined view/rangefinders (Argus C4), but none of these new features were added to the C3.

The original Argus C of 1938 had a rangefinder not coupled to the lens. The very first version had a lever to switch between fast and slow shutter speeds, but it was soon replaced by a second version with a more simple and reliable shutter without any switch. The Argus C2 was born also in 1938 adding just an idler gear between the rangefinder dial and the lens. Adding internal flash synchronization turned an Argus C2 into an Argus C3, and that's how it was born in 1939.

The first Argus C3 had ten shutter speeds (between 1/5 second and 1/300 second), a Weston film speed reminder and chromed pieces.
Over the years the Argus C3 remained almost unchanged, but there were several small changes concerning internal mechanisms, shutter speeds, lens apertures and external design.
Some of the internal changes can be seen in this Phillip G. Sterritt's website. It seems that the main body was made of molded bakelite (phenolic resin) and the rest of the pieces were made of metal. The shutter became progressively simpler, from ten to just five speeds in the latest versions.

In 1942 Argus ceased civilian production and contributed to the war effort by making military equipment. There wasn't any special military Argus C3 version, although a service manual seems to have been provided to the US Army. Some soldiers, such as Tony Vaccaro, managed to use an Argus C3 after the Normandy landings.

The production of the Argus C3 was resumed in 1946, adding a coated lens and a standardized ƒ-stop scale. Previous versions had bizarre apertures, such as ƒ/3.5, 4.5, 6.3, 9, 12.7 and 18, but they got standardized to modern ƒ/ stops (3.5, 4, 5.6, 8, 11 and 16).

Some chromed pieces were eventually replaced with black plastic ones, probably to cut expenses. Some other minor pieces (film catch, shutter release, coupling gear...) had also different designs.

The Weston film speed reminder dial on the back was changed to the ASA standard around 1948, but sadly this beautiful piece was removed in 1955. The back itself had different designs: with two chromed lines or just plain.

By 1950 a very beautiful Argus nameplate was added in the bottom left corner. Around 1955 the Color-Matic setting system was added. This was just a color coded system to suggest shutter speed, aperture and distance combinations. For example, you should match the yellow values (1/50s, ƒ/6.7, <15 ft) for outdoors with color film and the red values (1/100s, ƒ/8, >15 ft) for b/w film. The green value (1/25s) was intended for flash synchro.

In 1957 an accessory shoe was added. There are some previous versions that actually have an accessory shoe, but they seem to have been added later on request. 

History
This camera was designed by Gustave Fassin, a Belgian optics designer moved to the US in the 1920s. He worked for Kodak and Bausch & Lomb in Rochester. He started working for Charles A. Verschoor, president of the International Radio Corporation (later known as International Research Corporation and later Argus). In 1936 he designed the Argus A, Argus' first photographic camera and first sales success. Later, Fassin designed the Argus C as well as an enlarger, a printing easel and a slide projector.

Gustave Fassin made such a good design that the C-series cameras remained almost unchanged during their entire lifespan. It should have been quite shocking to find a prewar designed camera in the retail stores of the mid-1960s. Camera technology changed a lot in the 1960s, but the Argus C3 kept being the same camera. In fact, it was covered by a lifetime guarantee! They did know how to make cameras, didn't they?
Later Argus cameras were improved with brightline viewfinders (Argus 21) or combined view/rangefinders (Argus C4), but none of these new features were added to the C3.

The original Argus C of 1938 had a rangefinder not coupled to the lens. The very first version had a lever to switch between fast and slow shutter speeds, but it was soon replaced by a second version with a more simple and reliable shutter without any switch. The Argus C2 was born also in 1938 adding just an idler gear between the rangefinder dial and the lens. Adding internal flash synchronization turned an Argus C2 into an Argus C3, and that's how it was born in 1939.

The first Argus C3 had ten shutter speeds (between 1/5 second and 1/300 second), a Weston film speed reminder and chromed pieces.
Over the years the Argus C3 remained almost unchanged, but there were several small changes concerning internal mechanisms, shutter speeds, lens apertures and external design.
Some of the internal changes can be seen in this Phillip G. Sterritt's website. It seems that the main body was made of molded bakelite (phenolic resin) and the rest of the pieces were made of metal. The shutter became progressively simpler, from ten to just five speeds in the latest versions.

In 1942 Argus ceased civilian production and contributed to the war effort by making military equipment. There wasn't any special military Argus C3 version, although a service manual seems to have been provided to the US Army. Some soldiers, such as Tony Vaccaro, managed to use an Argus C3 after the Normandy landings.

The production of the Argus C3 was resumed in 1946, adding a coated lens and a standardized ƒ-stop scale. Previous versions had bizarre apertures, such as ƒ/3.5, 4.5, 6.3, 9, 12.7 and 18, but they got standardized to modern ƒ/ stops (3.5, 4, 5.6, 8, 11 and 16).

Some chromed pieces were eventually replaced with black plastic ones, probably to cut expenses. Some other minor pieces (film catch, shutter release, coupling gear...) had also different designs.

The Weston film speed reminder dial on the back was changed to the ASA standard around 1948, but sadly this beautiful piece was removed in 1955. The back itself had different designs: with two chromed lines or just plain.

By 1950 a very beautiful Argus nameplate was added in the bottom left corner. Around 1955 the Color-Matic setting system was added. This was just a color coded system to suggest shutter speed, aperture and distance combinations. For example, you should match the yellow values (1/50s, ƒ/6.7, <15 ft) for outdoors with color film and the red values (1/100s, ƒ/8, >15 ft) for b/w film. The green value (1/25s) was intended for flash synchro.

In 1957 an accessory shoe was added. There are some previous versions that actually have an accessory shoe, but they seem to have been added later on request.

In 1958 was introduced the Argus C3 Standard. Apart from some redesigned knobs and dials, the main change of the Standard version was the lens barrel, completely redesigned. According to Gambino [1], by that time Argus had been taken over by Silvania Electric and the new management probably wanted to give a new look to their long-lived camera.

Along with the C3 Standard, in 1958 also appeared the Argus C3 Match-Matic, very similar to the Standard, but with a beige and black finish and a selenium LC3 exposure meter. Besides, instead of the common ƒ/ stops and shutter speeds scale, the values of the C3 Match-Matic were coded in a EV scale. There was also a quite rare version with a silver Mylar finish, the Argus C3 Golden Shield. This deluxe version was produced for the Golden Shield Corporation to be sold in jewelries.

When the Argus C3 was discontinued in 1966 it was the only Argus camera that remained in production. It never got superseded by any other Argus camera. The Argus C4, “arguably the best camera that Argus ever built”, was made in lower quantities and discontinued in 1962 in the form of the C44R. The Argus C33 and the Autronic series, both different attempts to modernize the C3, never became popular with the public and were also discontinued. 

According to Lahue and Bailey, there had been several attempts to discontinue the Argus C3: “The sales curves of the C-3 were like a Coney Island roller coaster. Sales would dip to an almost-zero level, and Argus would announce the camera's demise. Panicky dealers would then stock up with the remaining supply to ensure stock of a slow but certain seller. To fill these orders Argus would have to schedule another production run, and so it went for years”.

According to Argus specialist Phillip G. Sterritt, Argus built between 2,220,500 and 2,296,000 C-series cameras. About 1,829,000 of the total were Argus C3 models, most of them (+1,6 million) made between 1945 and 1957.



Especificações

The C3 is made of bakelite and metal framings and is of simple design. It has a diaphragm shutter built into the body of the camera so that it could utilize interchangeable lenses without the need for a regular, and more complex, focal plane shutter.

Fonte: Camera-wiki.org

camera Argus C3
type rangefinder
film 35mm, 24×36mm
producer Argus, Inc. / IRC
place Ann Arbor, Michigan
country USA
date 1939-1966
units +2 million approx.
shutter Ilex leaf shutter
speeds 10, 25, 50, 100, 300, B
lens Argus Coated Cintar 50mm ƒ/3.5
mount Argus C screw
rangefinder coupled, separate window

Fonte: fromthefocalplanetoinfinity


Modelo

A minha é do modelo C3 (1939-1957). Provavelmente construída em 1947. Ver aqui.

Fonte: arguscg.org

Tem o n.º de série 171444.


Sítios de referência

arguscg.org

argusinfo.net
Camera-wiki.org

fromthefocalplanetoinfinity


Manual

Manuais em inglês

Manual em inglês



Filme


Fotografias tiradas com esta máquina


Vídeos

domingo, 19 de março de 2017

Kodak Brownie No.2 (1928-1931)

Kodak Brownie N.2 (1928-1931)
#167

Esta fotografia é do exemplar que possuo

Características

The No.2 Brownie is significant in that it was the first camera to use 120 roll film. It started production being made of leatherette covered card and, from 1924, changed to a metal box. A very simple camera with a very dependable shutter shutter. It has two sliding mechanisms on the top, one for a bulb, or time setting, and the other for a choice of 3 apertures. It also has two small reflecting finders for vertical or horizontal shots.

Fonte: brownie.camera


Especificações

No.2 Brownie camera model F black - key winder
MANUFACTURER: Eastman Kodak Company
PLACE MANUFACTURED: England, London
TEXT ON STRAP: Brownie.
INTRODUCTION DATE: Feb. 1924
PRODUCTION DATES: 1928-1931
FILM TYPE: 120 rollfilm IMAGE SIZE: 2¼ x 3¼ inch.
STANDARD LENSES/SHUTTERS: meniscus lens, rotary shutter
Black 1928- 1931 available with key winder and embossed double rectangular line decoration and badge.
Black 1931- 1931 available with knob winder, embossed double rectangular line decoration and badge.
Black 1931- 1931 available with knob winder, embossed badge on the back no line decoration .
Black 1934- 1935 available with knob winder and no line decoration and no badge.

Fonte: brownie.camera

Type: Box Rollfilm
Introduced: Oct 1901
Discontinued: 1935
Film Size: 120
Picture Size: 2 1/4 X 3 1/4"
Manufactured: US, Canada, And From 1928-1935 In The UK
Lens: Meniscus
Shutter: Rotary
Numbers Made: Over 2,500,000 Before 1921
Original Price: $2.00 - Aluminum Model F $2.75 - Color Models $2.50

Fonte: brownie.camera


Modelo

A minha é do modelo F.


Sítios de referência

brownie.camera

brownie.camera



Manual

Manual em inglês


Filme


Fotografias tiradas com esta máquina


Vídeos



sábado, 10 de dezembro de 2016

Kodak EK6 (1976-1978)

Kodak EK6 (1976-1978)

#137
Esta fotografia é do exemplar que possuo

Características

The EK6 is a integral instant camera produced by Kodak. It was available in 1976, along with the Kodak EK4 which makes it one of the earlier models. It improved upon the EK4 by having an electronic film ejection, instead of a hand crank. It uses Kodak PR10 / PR144 instant film and is powered by two 6v J / 4LR61 batteries.
Fonte: camera-wiki.org


Especificações


Kodak manufactured Polaroid's instant film products from 1963 to 1969. Polaroid decided to manufacture its own. Since Kodak has a lot of experience manufacturing Polaroid's film the original plan was to create packfilm type instant products. There were many prototypes and test runs of the film with many private demonstrations to their board. Plans changed when Polaroid in 1972 released the integral type film with the introduction of the SX-70 system. Kodak decided to scrap the plans for packfilm release and focus on an integral type process. Kodak continued to use highly modified versions of Polaroid packfilm cameras as prototypes to test their integral products.
A few years later Kodak introduced its own instant film products in 1976, which was different from Polaroid's in several ways. Kodak instant film was exposed from the back without a mirror, the opposite of Polaroid's film which was exposed from the front with a mirror to reverse the image. This has several advantages; first the instant film is much less complicated compared to Polaroids which has the front layer that has to be transparent during exposure, opaque after the chemical spread and transparent after a development time. Kodak's method uses the chemical reagent as a light shield during development. The instant film in this process is capable of higher resolution compared to Polaroid's system since light does not have to travel as many layers to reach the negative. Other advantages include being able to use a matte finish on the face of the photo. The release of the higher ISO Trimprint series of instant products in the early 1980 also made it easy to remove the instant photo from the development pod. Without a mirror the camera are not as complex and less expensive to produce. The film path being much simpler also allow the use of a simple mechanical crank to spread and eject the film print instead of a electronic motorized unit in Polaroids.
On the other side of the pacific, Fujifilm also wanted an instant photo system. Though not identical, it was primary based on Kodak's instant film technology. For more see Fujifilm instant photography.
Unlike Polaroids integral film packs, Kodak's did not contain a battery, along with conventional batteries, the use of a flat J sized 4LR61 batteries were also common in the cameras. This decision was made because it would cost less per pack and because Polaroid had a long history of technical problems with batteries in film packs which led to them manufacturing their own.
Upon introduction of Kodak instant products, Polaroid filed suit against Kodak in 1976 for patent infringement. The case dragged on for years. Kodak lost the dispute, after the ruling in 1985, Kodak announced the discontinuation of their instant photo products.



Modelo


Sítios de referência

camera-wiki.org

camera-wiki.org


Manual


Baterias

J battery - 6V

Filme
Kodak Instant Color Film

Fotografias tiradas com esta máquina


Vídeos

segunda-feira, 21 de novembro de 2016

Kodak EK4 (1976)

Kodak EK4 (1976)
#129
Esta fotografia é do exemplar que possuo

Características

The EK4 is a very early model in the Kodak Instant line of cameras released in 1976. It's features were very basic. It lack an electronic motor for film ejection and requires a hand crank. The nearly identical model EK6 was also available but had motorized ejection. Flip flash socket is on top of the camera.

Fonte: camera-wiki.org.


Especificações

The lens has markings surrounding the lens in both meter and feet. Exposure and focus control is with sliders on the face of the camera. Sliding the focus control rotates the lens indicator to the corresponding distance markers. It used PR10 (PR144) film. It is powered by a 6V flat J sized battery.

Fonte: camera-wiki.org.

Kodak manufactured Polaroid's instant film products from 1963 to 1969. Polaroid decided to manufacture its own. Since Kodak has a lot of experience manufacturing Polaroid's film the original plan was to create packfilm type instant products. There were many prototypes and test runs of the film with many private demonstrations to their board. Plans changed when Polaroid in 1972 released the integral type film with the introduction of the SX-70 system. Kodak decided to scrap the plans for packfilm release and focus on an integral type process. Kodak continued to use highly modified versions of Polaroid packfilm cameras as prototypes to test their integral products.
A few years later Kodak introduced its own instant film products in 1976, which was different from Polaroid's in several ways. Kodak instant film was exposed from the back without a mirror, the opposite of Polaroid's film which was exposed from the front with a mirror to reverse the image. This has several advantages; first the instant film is much less complicated compared to Polaroids which has the front layer that has to be transparent during exposure, opaque after the chemical spread and transparent after a development time. Kodak's method uses the chemical reagent as a light shield during development. The instant film in this process is capable of higher resolution compared to Polaroid's system since light does not have to travel as many layers to reach the negative. Other advantages include being able to use a matte finish on the face of the photo. The release of the higher ISO Trimprint series of instant products in the early 1980 also made it easy to remove the instant photo from the development pod. Without a mirror the camera are not as complex and less expensive to produce. The film path being much simpler also allow the use of a simple mechanical crank to spread and eject the film print instead of a electronic motorized unit in Polaroids.
On the other side of the pacific, Fujifilm also wanted an instant photo system. Though not identical, it was primary based on Kodak's instant film technology. For more see Fujifilm instant photography.
Unlike Polaroids integral film packs, Kodak's did not contain a battery, along with conventional batteries, the use of a flat J sized 4LR61 batteries were also common in the cameras. This decision was made because it would cost less per pack and because Polaroid had a long history of technical problems with batteries in film packs which led to them manufacturing their own.
Upon introduction of Kodak instant products, Polaroid filed suit against Kodak in 1976 for patent infringement. The case dragged on for years. Kodak lost the dispute, after the ruling in 1985, Kodak announced the discontinuation of their instant photo products.



Modelo


Sítios de referência

camera-wiki.org.



Manual


Baterias

J battery - 6V

Filme
Kodak Instant Color Film

Fotografias tiradas com esta máquina


Vídeos






sexta-feira, 20 de fevereiro de 2015

Kodak Brownie Holiday (1953-1962)

Kodak Brownie Holiday (1953-1962)
#0005
Esta fotografia é do exemplar que possuo.

Características

Type: Solid Body Eyelevel Rollfilm
Introduced: Oct 1953
Discontinued: April 1962
Film Size: 127
Picture Size: 1 5/8 X 2 1/2"
Manufactured: US
Lens: 1953-55:Kodet | 1955-62:Dakon Plastic
Shutter: Rotary
Numbers Made: ?
Original Price: $5.00

Description:
This very popular Brownie series has a moulded brown and tan plastic body with an optical direct vision finder.
Oct 1953-Sept 1957: Non-synchronised model.
Oct 1954-April 1962: Flash model.

Fonte: The Brownie Camera Page

The Brownie Holiday is a small, simple viewfinder camera for 127 film made of Bakelite by Kodak in the US and Canada from 1953-1962 to a design by Arthur H Crapsey.

The Kodak Brownie Bullet is the same camera, distributed through premium schemes between 1957 & 1964. The Brownie Chiquita is the same camera, for the Brazilian market. The Brownie Bullet name was reused as the premium scheme version of the Brownie Startlet.

The camera was also available as the Brownie Holiday Flash - with flash synchronisation.

Fonte: Camerapedia


Modelo

Só foi feito um modelo.


Manuais

Manual em Inglês (do modelo com flash)


Sites de referência






Vídeos